The Works of Aphra Behn, Volume IV
by Aphra Behn
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The Works of Aphra Behn, Volume IV by Behn, Aphra, 1640-1689; Summers, Montague, 1880-1948 [Editor]"Rediscover This Timeless Classic - The Ultimate MP3 Audiobook CD Experience!"Journey back in time and immerse yourself in a world of timeless stories with our classic MP3 Audiobook series.Why Dive into Our Classic Title MP3 Audiobook CDS?Historical This masterwork, has shaped literature, inspired countless adaptations, and touched the hearts of generations.Authentic Faithfully reproduced to capture the essence of the original publication.High Quality Narrated by a cutting-edge AI voice.Consisten...
Chapters (143)(click to expand)
- THE WORKS
- APHRA BEHN
- CONTENTS.
- SIR PATIENT FANCY.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- TO THE READER.
- SIR PATIENT FANCY.
- PROLOGUE,
- DRAMATIS PERSONÆ.
- ACT I.
- Scene I. A Room in Lady Knowell’s House.
- A Chair and a Table. Enter Sir Credulous in a riding habit. Curry his Groom carrying a Portmantle.
- ACT II.
- Scene I. A Garden to Sir Patient Fancy’s House.
- Scene II. Changes to a Chamber.
- ACT III.
- Scene I.
- Scene II. Lady Knowell’s Chamber.
- Scene III. A Garden.
- Scene IV. Draws off, and discovers L. Fancy in her Night-gown, in a Chamber as by the dark.
- Scene V. Changes again to a Garden.
- A confused Noise of the Serenade, the Scene VI draws off to Lady Fancy’s Anti-chamber.
- Scene VII. Changes to Lady Fancy’s Bed-chamber, discovers her as before; Lodwick as just risen in Disorder from the Bed, buttoning himself, and setting himself in order; and Noise at the Door of unlatching it.
- The Scene draws over Sir Patient and Lady: draws again and discovers Scene VIII. The Garden, Wittmore, Fanny, and Isabella.
- Scene IX. Changes to the long Street, a Pageant of an Elephant coming from the farther end with Sir Credulous on it, and several others playing on strange confused Instruments.
- ACT IV.
- Scene I. Lady Knowell’s House.
- Scene II. A Chamber in Sir Patient Fancy’s House. A Table and Chairs.
- Scene III. A Hall.
- Scene IV. The Lady Fancy’s Bed-Chamber; she’s discover’d with Wittmore in disorder. A Table, Sword, and Hat.
- ACT V.
- Scene I. A Room in Sir Patient Fancy’s House. A Table, and six Chairs.
- EPILOGUE,
- Notes on the Text.
- Notes: Critical And Explanatory.
- Cross-References
- THE AMOROUS PRINCE.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- THE AMOROUS PRINCE.
- PROLOGUE.
- DRAMATIS PERSONÆ.
- SCENE, The Court of Florence.
- ACT I.
- Scene I. The Chamber of Cloris.
- Scene II. A Grove.
- Scene III. The Apartment of Antonio.
- Scene IV. The Same.
- ACT II.
- Scene I. The Apartment of Frederick.
- Scene II. Antonio’s House.
- Scene III. The Street.
- Scene IV. Antonio’s House.
- Scene V. A Chamber in Alberto’s House.
- ACT III.
- Scene I. A Room in Salvator’s House.
- Scene II. A Street.
- Scene III. A Wood.
- ACT IV.
- Scene I. Antonio’s House.
- Scene II. A Street.
- Scene III. Frederick’s Chamber.
- Scene IV. A Street.
- Scene V. Antonio’s House.
- ACT V.
- Scene I. Laura’s Chamber.
- Scene II. A Grove.
- Scene III. The Lodgings of Curtius.
- EPILOGUE,
- Notes on the Text.
- Notes: Critical And Explanatory.
- Cross-Reference
- THE WIDOW RANTER.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- To the much Honoured MADAM WELLDON.
- THE WIDOW RANTER: Or, the History of Bacon in Virginia.
- PROLOGUE,
- DRAMATIS PERSONÆ.
- SCENE, Virginia: in Bacon’s Camp, James-Town and the surrounding Country.
- ACT I.
- Scene I. A Room with several Tables.
- Scene II. The Council-Table.
- Scene III. Surelove’s House.
- ACT II.
- Scene I. A Pavilion.
- Scene II. The Widow Ranter’s Hall.
- Scene III. A Sevana, or large Heath.
- Scene IV. The Council-Table.
- ACT III.
- Scene I. The Country Court, a great Table, with Papers, a Clerk writing.
- Scene II. The Sevana or Heath.
- ACT IV.
- Scene I.
- Scene II.
- Scene III. A Tent.
- ACT V.
- Scene I. The Sevana in sight of the Camp; the Moon rises.
- Scene II. Changes to Wellman’s Tent.
- Scene III. A thick Wood.
- Scene IV. Changes to another part of the Wood.
- Scene V. A Grove near Madam Surelove’s.
- EPILOGUE.
- Notes on the Text.
- Notes: Critical And Explanatory.
- Cross-References
- THE YOUNGER BROTHER; OR, THE AMOROUS JILT.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- THE EPISTLE DEDICATORY TO Collonel Codrington.
- THE YOUNGER BROTHER; or, The Amorous Jilt.
- PROLOGUE,
- DRAMATIS PERSONÆ.
- ACT I.
- Scene I. A Chamber.
- Scene II. A Chamber.
- ACT II.
- Scene I. Sir Rowland’s Lodging.
- Scene II. A Chamber.
- Scene III. Another Chamber.
- ACT III.
- Scene I. A rich Chamber.
- Scene II. A Chamber, and Alcove, discovers Mirtilla and Prince Frederick.
- Scene III. A Garden by Night still.
- ACT IV.
- Scene I. The Prince’s Lodgings.
- Scene II. Draws off, discovers Mirtilla at her Toylet, dress’d.
- Scene III. Changes to Lady Youthly’s.
- ACT V.
- Scene I. Welborn’s Chamber.
- Scene II. The Dressing-Room. Discovers the Prince at his Toylet, dressing. Musick and a Song.
- Scene III. A Chamber.
- Scene IV. My Lady Youthly’s; Discovers her, and Lettice dressing her.
- EPILOGUE.
- Notes on the Text.
- Notes: Critical And Explanatory.
- Cross-References
- Arrangement of Editor’s Notes
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