The Works of Aphra Behn, Volume II
by Aphra Behn
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Chapters (128)
- THE WORKS OF APHRA BEHN
- CONTENTS
- ABDELAZER; OR, THE MOOR’S REVENGE THE YOUNG KING; OR, THE MISTAKE THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL THE FEIGN’D CURTEZANS; OR, A NIGHT’S INTRIGUE NOTES
- ABDELAZER; OR, THE MOOR’S REVENGE.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- PROLOGUE.
- DRAMATIS PERSONAE.
- ACT I.
- SCENE I. A rich Chamber.
- SONG.
- SCENE II. A Room in the Palace.
- ACT II.
- SCENE I. A Chamber of State.
- SCENE II. A Banqueting Hall.
- ACT III.
- SCENE I. A Gallery in the Palace.
- SCENE II. The Queen’s Apartments.
- SCENE III. Florella’s Lodgings.
- ACT IV.
- SCENE I. Abdelazer’s Tent.
- SCENE II. Philip’s Tent.
- SCENE III. A Grave.
- SCENE IV. A Grove.
- SCENE V. The Grove.
- SCENE VI. Changes to a Tent.
- SCENE VII. The Grove.
- ACT V.
- SCENE I. _A Presence-Chamber, with a Throne and Canopy.
- SCENE II. A fine Chamber. A Table and Chair.
- SCENE III. A Prison.
- EPILOGUE.
- THE YOUNG KING; OR, THE MISTAKE.
- ARGUMENT.
- SOURCE.
- FOOTNOTES:
- THEATRICAL HISTORY.
- TO PHILASTER.
- PROLOGUE.
- DRAMATIS PERSONAE.
- ACT I.
- SCENE I. A Grove near the Camp.
- SCENE II. A Grove of Trees.
- ACT II.
- SCENE I. A Castle or Prison on the Sea.
- SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania.
- SCENE III. A Grove.
- SCENE IV. A Chamber.
- ACT III.
- SCENE I.
- SCENE II. A Grove near the Camp.
- SCENE III. Scythian Tents.
- SCENE IV. The Dacian Tents.
- SCENE V. Changes to the Wood.
- ACT IV.
- SCENE I. A Flat Wood.
- SCENE II. Between the two Camps.
- SCENE III. A Prison.
- SCENE IV. The Scythian Tents.
- SCENE V. Cleomena’s Apartments.
- SCENE VI. A Street.
- SCENE VII. Thersander’s Tent.
- ACT V.
- SCENE I.
- SCENE II. The Grove.
- SCENE III. A Prison.
- SCENE IV. A Tent.
- SCENE V. Changes to Thersander’s Tent.
- EPILOGUE.
- THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- PROLOGUE,
- DRAMATIS PERSONAE.
- ACT I.
- SCENE I. The Street.
- ACT II.
- SCENE I. A Room.
- SCENE II. The Street.
- SCENE III. Changes to a Chamber.
- ACT III.
- SCENE I. A Room.
- ACT IV.
- SCENE I. A Dressing-Room.
- SCENE II. Changes.
- ACT V.
- SCENE I. Sir Timothy’s House.
- SCENE II. Changes to Wilding’s Chamber.
- SCENE III. Changes to Diana’s Chamber.
- SCENE IV. Changes to a Street.
- SCENE V. Changes to a Chamber.
- EPILOGUE.
- THE FEIGN’D CURTEZANS; OR, A NIGHT’S INTRIGUE.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- TO MRS. ELLEN GUIN.
- PROLOGUE,
- DRAMATIS PERSONAE.
- ACT I.
- SCENE I. A Street.
- SCENE II. Draws off to a room in Tickletext’s lodging, and discovers Mr. Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face.
- ACT II.
- ACT III.
- SCENE I. The Corso.
- ACT IV.
- SCENE I.
- SCENE II. Changes to a Bed-chamber Alcove.
- ACT V.
- SCENE I. The Corso.
- SCENE II. A Chamber.
- SCENE III. Changes to the Street.—Piazo d’.ispagnia.
- SCENE IV. Changes to a Chamber.
- EPILOGUE.
- NOTES.
- NOTES ON THE TEXT.
- ABDELAZER.
- THE CITY HEIRESS.
- THE FEIGN’D CURTEZANS.
- NOTES: CRITICAL AND EXPLANATORY.
- ABDELAZER.
- FOOTNOTES:
- THE YOUNG KING.
- THE CITY HEIRESS.
- THE FEIGN’D CURTEZANS.
- END OF VOL. II
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