Work: A Story of Experience cover

Work: A Story of Experience

by Louisa May Alcott

Books About Books19th CenturyNonfictionAudiobookBiographyBiography MemoirHistory
Listen Free

Free AI audiobook with natural voice. No signup required.

About This Book

Even the most devoted readers of nineteenth-century American literature often assume that the men and women behind the masterpieces were as dull and staid as the era's static daguerreotypes. Susan Cheever's latest work, however, brings new life to the well-known literary personages who produced such cherished works as "The Scarlet Letter, Moby-Dick, Walden," and "Little Women." Rendering in full color the tumultuous, often scandalous lives of these volatile and vulnerable geniuses, Cheever's dynamic narrative reminds us that, while these literary heroes now seem secure of their spots in the canon, they were once considered avant-garde, bohemian types, at odds with the establishment. These remarkable men and women were so improbably concentrated in placid Concord, Massachusetts, that Henry James referred to the town as the "biggest little place in America." Among the host of luminaries who floated in and out of Concord's "American Bloomsbury" as satellites of the venerable intellect and prodigious fortune of Ralph Waldo Emerson were Henry David Thoreau -- perpetual second to his mentor in both love and career; Louisa May Alcott -- dreamy girl and ambitious spinster; Nathaniel Hawthorne -- dilettante and cad; and Margaret Fuller -- glamorous editor and foreign correspondent.Perhaps inevitably, given the smallness of the place and the idiosyncrasies of its residents, the members of the prestigious circle became both intellectually and romantically entangled: Thoreau serenaded an infatuated Louisa on his flute. Vying with Hawthorne for Fuller's attention, Emerson wrote the fiery feminist love letters while she resided (yards away from his wife) in his guest room. Herman Melville was, according to some, ultimately driven mad by his consuming and unrequited affection for Hawthorne.Far from typically Victorian, this group of intellectuals, like their British Bloomsbury counterparts to whom the title refers, not only questioned established literary forms, but also resisted old moral and social strictures. Thoreau, of course, famously retreated to a plot of land on Walden Pond to escape capitalism, pick berries, and ponder nature. More shocking was the group's ambivalence toward the institution of marriage. Inclined to bend the rules of its bonds, many of its members spent time at the notorious commune, Brook Farm, and because liberal theories could not entirely guarantee against jealousy, the tension of real or imagined infidelities was always near the surface. Susan Cheever reacquaints us with the sexy, subversive side of Concord's nineteenth-century intellectuals, restoring in three dimensions the literary personalities whose work is at the heart of our national history and cultural identity.

23

Chapters

~276 min

Est. Listening Time

English

Language

3.6

Goodreads Rating

Work: A Story of Experience

by Louisa May Alcott

AUTHOR OF “LITTLE WOMEN,” “LITTLE MEN,” “AN OLD-FASHIONED GIRL,” “HOSPITAL SKETCHES,” ETC.

“An endless significance lies in work; in idleness alone is there perpetual despair.”—CARLYLE.

BOSTON:

1901.

TO MY MOTHER, WHOSE LIFE HAS BEEN A LONG LABOR OF LOVE, THIS BOOK IS GRATEFULLY INSCRIBED

BY HER DAUGHTER.

Contents

LIST OF ILLUSTRATIONS,

FROM DRAWINGS BY SOL EYTINGE.

WORK: A STORY OF EXPERIENCE.

CHAPTER I. CHRISTIE.

CHRISTIE.

“Aunt Betsey, there’s going to be a new Declaration of Independence.”

“Bless and save us, what do you mean, child?” And the startled old lady precipitated a pie into the oven with destructive haste.

“I mean that, being of age, I’m going to take care of myself, and not be a burden any longer. Uncle wishes me out of the way; thinks I ought to go, and, sooner or later, will tell me so. I don’t intend to wait for that, but, like the people in fairy tales, travel away into the world and seek my fortune. I know I can find it.”

Christie emphasized her speech by energetic demonstrations in the bread-trough, kneading the dough as if it was her destiny, and she was shaping it to suit herself; while Aunt Betsey stood listening, with uplifted pie-fork, and as much astonishment as her placid face was capable of expressing. As the girl paused, with a decided thump, the old lady exclaimed:

“What crazy idee you got into your head now?”

“A very sane and sensible one that’s got to be worked out, so please listen to it, ma’am. I’ve had it a good while, I’ve thought it over thoroughly, and I’m sure it’s the right thing for me to do. I’m old enough to take care of myself; and if I’d been a boy, I should have been told to do it long ago. I hate to be dependent; and now there’s no need of it, I can’t bear it any longer. If you were poor, I wouldn’t leave you; for I never forget how kind you have been to me. But Uncle doesn’t love or understand me; I am a burden to him, and I must go where I can take care of myself. I can’t be happy till I do, for there’s nothing here for me. I’m sick of this dull town, where the one idea is eat, drink, and get rich; I don’t find any friends to help me as I want to be helped, or any work that I can do well; so let me go, Aunty, and find my place, wherever it is.”

“But I do need you, deary; and you mustn’t think Uncle don’t like you. He does, only he don’t show it; and when your odd ways fret him, he ain’t pleasant, I know. I don’t see why you can’t be contented; I’ve lived here all my days, and never found the place lonesome, or the folks unneighborly.” And Aunt Betsey looked perplexed by the new idea.

“You and I are very different, ma’am. There was more yeast put into my composition, I guess; and, after standing quiet in a warm corner so long, I begin to ferment, and ought to be kneaded up in time, so that I may turn out a wholesome loaf. You can’t do this; so let me go where it can be done, else I shall turn sour and good for nothing. Does that make the matter any clearer?” And Christie’s serious face relaxed into a smile as her aunt’s eye went from her to the nicely moulded loaf offered as an illustration.

“I see what you mean, Kitty; but I never thought on’t before. You be better riz than me; though, let me tell you, too much emptins makes bread poor stuff, like baker’s trash; and too much workin’ up makes it hard and dry. Now fly ’round, for the big oven is most het, and this cake takes a sight of time in the mixin’.”

“You haven’t said I might go, Aunty,” began the girl, after a long pause devoted by the old lady to the preparation of some compound which seemed to require great nicety of measurement in its ingredients; for when she replied, Aunt Betsey curiously interlarded her speech with audible directions to herself from the receipt-book before her.

AUNT BETSEY’S INTERLARDED SPEECH.

“I ain’t no right to keep you, dear, ef you choose to take (a pinch of salt). I’m sorry you ain’t happy, and think you might be ef you’d only (beat six eggs, yolks and whites together). But ef you can’t, and feel that you need (two cups of sugar), only speak to Uncle, and ef he says (a squeeze of fresh lemon), go, my dear, and take my blessin’ with you (not forgettin’ to cover with a piece of paper).”

Christie’s laugh echoed through the kitchen; and the old lady smiled benignly, quite unconscious of the cause of the girl’s merriment.

“I shall ask Uncle to-night, and I know he won’t object. Then I shall write to see if Mrs. Flint has a room for me, where I can stay till I get something to do. There is plenty of work in the world, and I’m not afraid of it; so you’ll soon hear good news of me. Don’t look sad, for you know I never could forget you, even if I should become the greatest lady in the land.” And Christie left the prints of two floury but affectionate hands on the old lady’s shoulders, as she kissed the wrinkled face that had never worn a frown to her.

Full of hopeful fancies, Christie salted the pans and buttered the dough in pleasant forgetfulness of all mundane affairs, and the ludicrous dismay of Aunt Betsey, who followed her about rectifying her mistakes, and watching over her as if this sudden absence of mind had roused suspicions of her sanity.

“Uncle, I want to go away, and get my own living, if you please,” was Christie’s abrupt beginning, as they sat round the evening fire.

Continue reading or listen to the full book Open in Reader →

How to Listen

  1. 1. Click "Listen Free" above
  2. 2. The book opens in CastReader's browser reader
  3. 3. Click the play button — AI narration starts with word highlighting
  4. 4. Use "Send to Phone" to continue listening on your phone

Frequently Asked Questions about “Work: A Story of Experience

Is "Work: A Story of Experience" free to read and listen to?

Yes. "Work: A Story of Experience" is a public domain work from Project Gutenberg. CastReader converts it to audio using AI text-to-speech — completely free, no account or payment needed.

Who wrote "Work: A Story of Experience"?

"Work: A Story of Experience" was written by Louisa May Alcott. It is classified as Biography, Fiction, Historical Fiction, History, Nonfiction, 19th Century Literature.

How long does it take to listen to "Work: A Story of Experience"?

"Work: A Story of Experience" has 23 chapters. Estimated listening time is approximately 276 minutes with CastReader's AI narration.

Can I listen to "Work: A Story of Experience" on my phone?

Yes. Open the book in CastReader's browser reader, then use "Send to Phone" to stream audio to your phone via Telegram. No app download needed.

What voice is used for the "Work: A Story of Experience" audiobook?

CastReader uses Kokoro TTS, a natural-sounding AI voice. It handles punctuation, names, and dialogue naturally. Most listeners forget it's AI after a few minutes.

Is there a human-narrated audiobook of "Work: A Story of Experience"?

"Work: A Story of Experience" is in the public domain, so human-narrated versions may exist on LibriVox or Audible. CastReader's AI narration is instant and free — no waiting or subscription required.