THE SUMMIT HOUSE MYSTERY
OR
THE EARTHLY PURGATORY
BY
L. DOUGALL
Author of "Beggars All," "The Madonna of a Day," "The Zeit-Geist," etc.
FUNK & WAGNALLS COMPANY NEW YORK and LONDON 1905
Copyright, 1905, by FUNK & WAGNALLS COMPANY [Printed in the United States of America] —— Published, March, 1905
PUBLISHERS' INTRODUCTORY NOTE
"The story's the thing" is a creed to which novel readers are supposed to give unanimous adherence. Art, literary style, study of character, and other of the higher, subtler elements of fiction, good as they are acknowledged to be, must yield first place to "the story," and afterwards shift for themselves the best way they may. How many so-called novel readers adhere to this creed is a matter of question—probably not as many as its exponents believe. Unquestionably there are two forms of fiction—the one in which art, and style, and character are pre-eminent, and control the course of the story, and the one in which "the story's the thing," and often the only thing. But why should not these two forms of fiction be blended? Why should not the art of George Eliot or Mr. Meredith be wedded to the thrilling action and absorbing mystery of Anthony Hope and Sir A. Conan Doyle?
In this story, "The Summit House Mystery," Miss Dougall has illustrated so well the possibilities of combining an exciting story with the charm of real literary art, that it must be considered as a model for a better school of popular fiction. In substance and in form it is unusually satisfying. The mystery with which it deals is so impenetrable as to baffle the cleverest reader until the very sentence in which, literally in a flash of light, the secret is revealed; yet from the beginning the story progresses steadily, logically, and without straining or melodramatic claptrap, to the inevitable solution. It is not, in the ordinary sense, a detective story, altho the two elements of concealment and search are present. It is not a "love story," but love, of the noblest order, supplies the cause and the support of the terrible mystery throughout the book. It is, as one has aptly said, a story of mystery "into which a soul has been infused." The rare distinction of its style and the beauty of its language place it far above stories of its class. A wonderful setting is given, high up on the summit of Deer Mountain, in Georgia, and the story seems to take on a quiet dignity, as well as a deeper atmosphere of mystery, from the lofty solitude. Seldom have the beauties of the mountains, "in all their varying moods of cloud, and mist, and glorious night," been painted in truer colors. "The Summit House Mystery" must inevitably set a higher standard for such novels, and the public will thus gain more than this one good story if it shall have, as it deserves, an immense popular success.
CONTENTS
Book I
The Summit House Mystery
Chapter I A HUT IN THE PRECIPICE
In the southern part of the Appalachian Mountains the tree-clad ridges fold and coil about one another. In this wooded wilderness the trend of each slope, the meandering of each stream, take unlooked-for turnings, and the valleys cross and twist. It is such a region as we often find in dreams, where the unexpected bars the way or opens out into falling vistas down which our souls must speed, chasing some hope or chased by unknown fears.
On a certain day a man called Neil Durgan passed through the village of Deer Cove, in the mountains of Northern Georgia. When he had left the few wooden buildings and the mill round which they clustered, he took a path by the foaming mill-stream and ascended the mountain of Deer.
For more than a century before the freeing of the slaves, the Durgans had been one of the proudest and richest families of Georgia. This man was the present head of the house, sole heir to the loss of all its lands and wealth. He was growing old now. Disappointment, Poverty, and Humility walked with him. Yet Joy, the fugitive, peeped at him through the leafless forest, from the snow-flakes of the dogwood and from the violets in the moss, laughed at him in the mountain torrent, and wooed him with the scent of the warming earth. Humility caught and kissed the fleeting spirit, and led her also in attendance upon the traveller's weary feet.
Deer Cove is more than two thousand feet in altitude; Deer Mountain rises a thousand feet above. Half-way up, Durgan came to the cabin of a negro called Adam. According to the usage of the time, the freedman's surname was Durgan, because he had been born and bred on the Durgan estates. Adam was a huge black negro. He and Durgan had not met since they were boys.
Adam's wife set a good table before the visitor. She was a quadroon, younger, lithe and attractive. Both stood and watched Durgan eat—Adam dumb with pleasure, the negress talking at times with such quick rushes of soft words that attentive listening was necessary.
"Yes, Marse Neil, suh; these ladies as lives up here on Deer, they's here for their health—they is. Very nice ladies they is, too; but they's from the North! They don't know how to treat us niggers right kind as you does, suh! They's allus for sayin' 'please' an' 'thank 'e,' and 'splaining perjinks to Adam an' me. But ef you can't board with these ladies, marsa, ther's no place you can live on Deer—no, there ain't, suh."
Durgan had had his table set before the door, and ate looking at the chaos of valleys, domes, and peaks which, from this height, was open to the view. The characteristic blue haze of the region was over all. The lower valleys in tender leaf had a changeful purple shimmer upon them, as seen in the peacock's plumage. The sun rained down white light from a fleecy sky. The tree-tops of the slope immediately beneath them were red with sap.
After a mood of reflection Durgan said, "You live well. These ladies must pay you well if you can afford dinners like this."
"Yes, Marse Neil, suh; they pays better than any in these parts. Miss Hermie, she's got right smart of sense, too, 'bout money. Miss Birdie, she's more for animals and flowers an' sich; but they pays well, they does."
"Look me out two good men to work with me in the mine, Adam."
Adam showed his white teeth in respectful joy. "That's all right, suh."
"Of course, as you are working for these ladies, you will look for my men in your spare time."
"That's all right, suh."
Durgan put down sufficient payment for his food, took up his travelling satchel, and walked on. From the turn of the rough cart-road on which the cabin stood the rocky summit was visible, and close below it the gables of a solitary dwelling.
"A rough perch for northern birds!" said he to himself, and then was plunged again in his own affairs. The branches, arching above, shut out all prospect. He plodded on.




