The Library cover

The Library

by Andrew Lang

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About This Book

Andrew Lang FBA (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology, and religion. The interest in folklore was from early life; he read John Ferguson McLennan before coming to Oxford, and then was influenced by E. B. Tylor.[6]The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England.[3] His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books despite most of the work for them being done by his wife Leonora Blanche Alleyne and a team of mostly female assistants.[7][8] In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections.[9] Lang examined the origins of totemism in Social Origins (1903). Lang was one of the founders of "psychical research" and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905).[3] He served as President of the Society for Psychical Research in 1911.[10]Lang extensively cited nineteenth- and twentieth-century European spiritualism to challenge the idea of his teacher, Tylor, that belief in spirits and animism were inherently irrational. Lang used Tylor's work and his own psychical research in an effort to posit an anthropological critique of materialism.[11] Andrew Lang fiercely debated with his Folklore Society colleague Edward Clodd over 'Psycho-folklore' a strand of the discipline which aimed to connect folklore with psychical research. Lang's earliest publication was a volume of metrical experiments, The Ballads and Lyrics of Old France (1872), and this was followed at intervals by other volumes of dainty verse, Ballades in Blue China (1880, enlarged edition, 1888), Ballads and Verses Vain (1884), selected by Mr Austin Dobson; Rhymes à la Mode (1884), Grass of Parnassus (1888), Ban and Arrière Ban (1894), New Collected Rhymes (1905).[3] His 1890 collection, Old Essays in Epistolary Parody, contains letters combining characters from different sources, in what is now known as a crossover, including one based on Jane Austen's Northanger Abbey and Charlotte Brontë's Jane Eyre – an early example of a published derivative work based on Austen.[14]Lang was active as a journalist in various ways, ranging from sparkling "leaders" for the Daily News to miscellaneous articles for the Morning Post, and for many years he was literary editor of Longman's Magazine; no critic was in more request, whether for occasional articles and introductions to new editions or as editor of dainty reprints.[3]He edited The Poems and Songs of Robert Burns (1896), and was responsible for the Life and Letters (1897) of JG Lockhart, and The Life, Letters and Diaries (1890) of Sir Stafford Northcote, 1st Earl of Iddesleigh. Lang discussed literary subjects with the same humour and acidity that marked his criticism of fellow folklorists, in Books and Bookmen (1886), Letters to Dead Authors (1886), Letters on Literature (1889), etc.[3]

211

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~2532 min

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English

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Transcribed from the 1881 Macmillan and Co. edition by David Price, email ccx074@pgflaf.org

THE LIBRARY

BY ANDREW LANG

WITH A CHAPTER ON MODERN ENGLISH ILLUSTRATED BOOKS BY AUSTIN DOBSON

London MACMILLAN & CO. 1881

The right of reproduction is reserved.

Printed by R. & R. Clarke, Edinburgh.

TO DR. JOHN BROWN AUTHOR OF RAB AND HIS FRIENDS.

PREFATORY NOTE

The pages in this volume on illuminated and other MSS. (with the exception of some anecdotes about Bussy Rabutin and Julie de Rambouillet) have been contributed by the Rev. W. J. Loftie, who has also written on early printed books (pp. 94–95). The pages on the Biblioklept (pp. 46–56) are reprinted, with the Editor’s kind permission, from the Saturday Review; and a few remarks on the moral lessons of bookstalls are taken from an essay in the same journal.

Mr. Ingram Bywater, Fellow of Exeter College, and lately sub-Librarian of the Bodleian, has very kindly read through the proofs of chapters I., II., and III., and suggested some alterations.

Thanks are also due to Mr. T. R. Buchanan, Fellow of All Souls College, for two plates from his “Book-bindings in All Souls Library” (printed for private circulation), which he has been good enough to lend me. The plates are beautifully drawn and coloured by Dr. J. J. Wild. Messrs. George Bell & Sons, Messrs. Bradbury, Agnew, & Co., and Messrs. Chatto & Windus, must be thanked for the use of some of the woodcuts which illustrate the concluding chapter.

A. L.

CONTENTS.

PAGE

CHAPTER I.

An Apology for the Book-hunter

“Every man his own Librarian”—Bibliography and Literature—Services of the French to Bibliography—A defence of the taste of the Book-collector—Should Collectors buy for the purpose of selling again?—The sport of Book-hunting—M. de Resbecq’s anecdotes—Stories of success of Book-hunters—The lessons of old Bookstalls—Booksellers’ catalogues—Auctions of Books—Different forms of the taste for collecting—The taste serviceable to critical Science—Books considered as literary relics—Examples—The “Imitatio Christi” of J. J. Rousseau—A brief vision of mighty Book-hunters.

CHAPTER II.

The Library

31

The size of modern collections—The Library in English houses—Bookcases—Enemies of Books—Damp, dust, dirt—The bookworm—Careless readers—Book plates—Borrowers—Book stealers—Affecting instance of the Spanish Monk—The Book-ghoul—Women the natural foes of books—Some touching exceptions—Homage to Madame Fertiault—Modes of preserving books; binding—Various sorts of coverings for books—Half-bindings—Books too good to bind, how to be entertained—Iniquities of Binders—Cruel case of a cropped play of Molière—Recipes (not infallible) for cleaning books—Necessity of possessing bibliographical works, such as catalogues.

CHAPTER III.

The Books of the Collector

76

Manuscripts, early and late—Early Printed Books—How to recognise them—Books printed on Vellum—“Uncut” copies—“Livres de Luxe,” and Illustrated Books—Invective against “Christmas Books”—The “Hypnerotomachia Poliphili”—Old woodcuts—French vignettes of the eighteenth century—Books of the Aldi—Books of the Elzevirs—“Curious” Books—Singular old English poems—First editions—Changes of fashion in Book-collecting—Examples of the variations in prices—Books valued for their bindings, and as relics—Anecdotes of Madame du Barry and Marie Antoinette.

CHAPTER IV.

Illustrated Books

123

Beginnings of Modern Book-Illustration in England—Stothard, Blake, Flaxman—Boydell’s “Shakespeare,” Macklin’s “Bible,” Martin’s “Milton”—The “Annuals”—Rogers’s “Italy” and “Poems”—Revival of Wood-Engraving—Bewick—Bewick’s Pupils—The “London School”—Progress of Wood-Engraving—Illustrated “Christmas” and other Books—The Humorous Artists—Cruikshank—Doyle—Thackeray—Leech—Tenniel—Du Maurier—Sambourne—Keene—Minor Humorous Artists—Children’s Books—Crane—Miss Greenaway—Caldecott—The “New American School”—Conclusion.

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