The Project Gutenberg eBook, The Driver, by Garet Garrett

THE DRIVER

THE DRIVER

BY

GARET GARRETT

AUTHOR OF “THE BLUE WOUND,” ETC.

NEW YORK E. P. DUTTON & COMPANY 681 FIFTH AVENUE

Copyright, 1922 By E. P. Dutton & Company ——— All Rights Reserved

First printing, September, 1922 Second printing, October, 1922

PRINTED IN THE UNITED STATES OF AMERICA

CONTENTS

THE DRIVER

CHAPTER I PHANTASMA

It is Easter Sunday in the village of Massillon, Stark County, Ohio, fifty miles south by east from Cleveland. Fourth year of the soft Money Plague; 1894.

Time, about 10 o’clock.

The sky is low and brooding, with an untimely thought of snow. Church bells are ringing. They sound remote and disapproving. Almost nobody is mindful of their call. The soul may miss its feast; the eye of wonder shall not be cheated. The Comic God has published a decree. Here once more the sad biped, solemn, ludicrous and romantic, shall mount the gilded ass. It is a spectacle that will not wait. For weeks in all the newspapers of the country the fact has been advertised in a spirit of waggery. At this hour and from this place the Army of the Commonweal of Christ will set forth on foot in quest of the Economic Millennium.

The village is agog with people congregating to witness the fantasied event. In the main street natives and strangers mingle their feet gregariously. There are spasmodic sounds of laughter, retort, argument and ribaldry; and continually the shrill cries of youth in a frenzy of expectation. Buggies, two-wheelers, open carts and spring wagons line both sides of the street. The horses are blanketed. A damp, chill wind is blowing. Vendors from Chicago, lewd-looking men, working a hundred feet apart, are yelling: “Git a Christ army button here fer a nickel!” There is a composite smell of ham sandwiches, peanuts, oranges and cigars.

A shout rises at the far end of the street. The crowd that has been so thick there, filling the whole space, bursts open. A band begins playing “Onward Christian Soldiers,” and the spectacle is present.

First comes a negro bearing the American flag.

Next, on a white horse, is a thick, close-bearded, self-regarding man with powerful, darting eyes and an air of fantastic vanity. He wears a buckskin coat with fringed sleeves; the breast is covered with gaudy medals. On his head is a large white sombrero. Around his neck swings a string of amber beads. He is cheered and rallied as he passes and bows continually.

Behind him walks a trumpeter, saluted as Windy Oliver. After the trumpeter walks the Astrologer, bearing the wand of his mysterious office. Then a band of seven pieces, very willing and enterprising.

And now, by the timbre and volume of the cheering, you recognize the Commander. He rides. Sitting so still and distant beside a negro driver in a buggy drawn by two mares he is disappointing to the eye. There is nothing obviously heroic about him. He wears spectacles. Above a thin, down-growing mustache the face is that of a man of ideas and action; the lower features, especially the mouth, denote a shy, secretive, sentimental, credulous man of mystical preoccupations. None of these qualities is more than commonplace. The type is well known to inland communities—the man who believes in perpetual motion, in the perfectibility of human nature, in miraculous interventions of deity, and makes a small living shrewdly. He might be the inventor of a washing machine. He is in fact the owner of a sandstone quarry and a breeder of horses.

But mark you, the ego may achieve grandeur in any habitat. It is not in the least particular. This inconsiderable man, ludicrously setting forth on Easter Sunday in command of a modern crusade, has one startling obsession. He believes that with the bandit-looking person on the white horse he shares the reincarnation of Christ.

In a buggy following, with what thoughts we shall never know, rides the wife of this half of Christ reincarnated.

Next comes another negro bearing the banner of the Commonweal of Christ. In the center of it is a painted Christ head. The lettering, divided above and below the head, reads:

PEACE ON EARTH: GOOD WILL TO MEN

B U T

DEATH TO INTEREST BEARING BONDS

Then comes the Army of the Commonwealers. They are counted derisively. The Commander said there would be an hundred thousand, or at least ten thousand, or, at the start, not fewer than one thousand. Well, the number is one hundred scant. They are a weird lot—a grim, one-eyed miner from Ottumwa; a jockey from Lexington, a fanatical preacher of the raw gospel from Detroit, a heavy steel mill worker from Youngstown, a sinewy young farmer from near Sandusky, a Swede laborer from everywhere, one doctor, one lawyer, clerks, actors, paper hangers, blind ends, what-nots and tramps. There is not a fat man among them, nor one above forty. They march in order, looking straight ahead. A man in a blue overcoat and white trousers, riding a horse with a red saddle, moves up and down the line eyeing it importantly.

At the end of this strange procession are two wagons. One is called the commissariat wagon; it is loaded with a circus tent, some bales of hay for the horses and a few bags of provisions—hardly enough for one day. The other is a covered wagon painted blue. The sides are decorated with geometrical figures of incomprehensible meaning. This vehicle of mystery belongs to the precious being on the white horse ahead. He created it; inside are sliding panoramas which he has painted.