The champion cover

The champion

by Charles Egbert Craddock

Fiction
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Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2018 with the help of original edition published long back [1902]. This book is printed in black & white, sewing binding for longer life, printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - eng, Pages 278. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete The champion, by Charles Egbert Craddock [pseud.] 1902 Murfree, Mary Noailles, -.

2

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~24 min

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THE CHAMPION

BY CHARLES EGBERT CRADDOCK

BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY

The Riverside Press, Cambridge 1902

COPYRIGHT, 1902, BY MARY N. MURFREE ALL RIGHTS RESERVED Published September, 1902.

"I CAN'T HIDE IT! I BURNT THE COPY."

THE CHAMPION

CHAPTER I

The devil was looking out of the window. Yet the traffic in the streets was unchecked. The cable-cars whizzed past with a clanging clamor. Great rumbling vans laden with freight alternated with carriages rolling noiselessly on rubber-tired wheels. The sidewalks were crowded with pedestrians. Men and boys, ladies and little children, boldly came and went over the neighboring crossing, although they could plainly see the devil's head poking out of a high window in the newspaper building and hear the shrill tones of the devil's voice as he discoursed to his friend within.

For in fact this was not the old Enemy of Mankind, but a small imp—commonly known as a printer's devil—who by virtue of a beguiling chirp of "Copy!" served as a means of communication between the foreman of the composing-room and the editorial staff.

"That's wher' they set her up!" he said, pointing to the composing-room in an explanatory way, and with a paw copiously smeared with ink.

There were streaks of this commodity on his face also, although his functions had no concern with it. Still the devil is not the only fiend who dabbles in printer's ink without a call.

His friend, Peter Bateman, a heavy, thickset boy, with a broad, sullen, flushed face and a lowering eye, cast a glance at the cases visible through the open door from the hall.

"Wher' do the boss do the writin' at?" he asked, in a hoarse, wheezy voice.

The devil tossed his red head. "Boss don't hev ter write none!" he retorted arrogantly. "Foreman is what we call him—bes' printer in these 'ere Newnited States!"

"But wher' do the feller stay what hes ter write?" persisted Pete.

"Oh,—him?" responded the devil, disparagingly. "They puts him in a little 'rinktum,' they call it, all by himself. He ain't much force! He can't write a word if folks git ter gabblin' ter him. Why, sometimes when I jes' say 'Copee' ter him, he looks like he will go out of his mind! They hev ter hire a whole passel o' other fellers ter help him jes' do the writin'. They hev got a double row of desks for a lot of 'em in that long room. They are all orful slow. Sometimes I be kep' yappin' 'Copee' at 'em all day so I can't stay abed o' night—ef I eats toler'ble hearty,—but jes' keeps jumpin' out an' yappin' 'Copee' in my sleep, till my mother gits afeard I'll fetch the perlice with my noise."

He grinned at the recollection of these somnolent vagaries. Then in his self-assumed duties as cicerone to his friend, showing the plant of the daily newspaper, as the rooms were nearly deserted at this hour, he duly exhibited the type-setting machine, a comparatively new acquisition in this southwestern city, and not altogether popular in the composing-room, where much of the work was still done by hand.

"It is a go, of course," said the devil discriminatingly, reflecting the sentiment of his elders, "but I tell you now, this machine ain't in it for speed an' percision with a reg'lar old-fashioned, gilt-edged, greased-lightning compositor like Bob Platt,—that's our foreman, ye know! That's the kind o' printer I'm goin' ter be,—ye kin bet yer hat!"

He hesitated and seemed a trifle out of countenance for a moment after he had said this. For when he had first been employed in the office, a raw little country lad, his admiration of the printer's craft had been so great, his ambition so exuberant, his ingenuous emulation so open that he had immediately announced his determination to be some day a champion compositor and stand preëminent at the case! The galley-boys and junior printers, of the variety called "cubs," would have been more or less than human had they failed to improve so promising an opportunity for fun. They guyed him unmercifully, and they called him "the Champion" so relentlessly that there was no one employed about the paper, from the engine-room to the "rinktum" (sanctum) of the editor-in-chief, who was unaware of the application of this proud designation. The little devil, Edward Macdonald by name, winced and wilted under the ridicule of his fellows, but it had no deterrent effect upon his determination and the great object of his ambition. He accounted it the chief feat of manual dexterity; and he thought the greatest sight the city could afford was the spectacle of Bob Platt swiftly distributing type, while the bits of metal rattled like a furious hail into their appropriate boxes. Even now he was volubly pitying Peter Bateman that he had never beheld this phenomenon, and possibly was fated never to witness it.

Then, with the enthusiasm of a predestined compositor, he declared, "I'd ruther stand at the case when I gits my growth than be the bigges' editor goin'!"

They presently sauntered out again into the dusky hall, dimly illumined by a flickering gas-jet here and there, for twilight was at hand, and leaned once more against the sill of the window.

"Them reporters hev the bes' time o' any o' the staff. Them men skeet around town till they are wore ter nothin' but eyes and lead pencil! They see everything!—always on the go! An' hev compliments o' the season all hours,—an' free passes ter the theaytre, lemme tell ye!"

An impressive silence ensued. Then a shadow crossed Ned's ink-streaked face, which was the paler because of the fading of his freckles, natural concomitant of his red hair, by reason of his indoor work.

"Now look at me!" the devil resumed in a tone calculated to invite contrast. "I hev ter stay cooped up 'ere half the day an' nigh all night, an' I work an' work, an' I pays all my wages over ter my mother; I never keep a cent for myself. I ain't grudgin' her nor my little sister neither—but ain't I goin' ter see inside a theaytre never no more?"

He thrust his hands into his empty pockets. His heart was swelling. He breathed hard. Suddenly Pete, his thin lips askew, his eyes narrowed to the merest slits, till it seemed surprising that so much slyness could look out thence, nodded his head again and again, till the motion seemed automatic, as if he were a queer bit of bobbing machinery.

"What d' ye mean by that?" cried Edward, observing him dubiously, mystified and in some sort offended by this enigmatic dumb show.

Pete's bullet head became stationary; pride and munificence were alike expressed in his features.

"I kin give ye a free pass ter the theaytre," he declared with magnified importance. "I'm the boss,—an' don't ye forget it."

"Wha'—wha'—wha' say?" stuttered Ned excitedly.

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"The champion" was written by Charles Egbert Craddock. It is classified as Fiction.

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