SALLY BISHOP
A ROMANCE
BY
E. TEMPLE THURSTON
NEW AND CHEAPER EDITION
GERALD DU MAURIER
MY DEAR GERALD,
Amongst the many things which I anticipate in the reception of this book, is the shrug-shoulder smile of critics at my sub-title—a Romance. There are canons and rubrics to be observed, it would seem, in the slightest action that a man attempts in this Great World's Fair of Conventionality, whose every sideshow is hedged around with the red-tape of the Law. Witness even that delusive proverb—there is honour amongst thieves. So is there an unwritten canon in literature and the making of books, that a Romance must end with a phrase to convey another illusion—namely, the happiness that is ever after.
And so, in this respect, I throw canons to the winds—it sounds a herculean feat—wash out the printed red of the rubric, and call, perhaps the saddest story I shall write, a Romance.
Yet I profess to have a reason beyond mere contrariness. The world of Romance must be at all times an elusive star—never capable of being put in the exact same place on any one's calendar. And to me it conveys no fixed beginning, no fixed end, so long as it possesses that quality of dreaming imagination in the mind of the character with whom the circumstances are first concerned. All that we know certainly of life is reality, and of all those myriad things which combine to make up the one great scheme, of which we know nothing, there is the quality of Romance—free to any one who cares to let his mind drift upon the sea of conjecture.
In that this was the case with Sally; in that she made her dream out of Reality itself—I have called it a Romance. The Romance that remains a Romance until the end, is not as yet within the reach of my pen. If it ever should be—then I promise you that book as well.
On all my other anticipations—the attitude of the critical mind towards Chapter IV. in Book I., the sensitiveness of the delicate mind when it closes its eyes on Chapter VI. of Book II.—I will keep silent. As I have said, I anticipate many things, but I only hope for your approval.
CONTENTS
BOOK I. THE CONSCRIPT
BOOK II. THE DESERTER
BOOK III. DERELICT
BOOK IV. THE EMPTY HORIZON
SALLY BISHOP
BOOK I
THE CONSCRIPT
CHAPTER I
It was an evening late in November. The fog that during the afternoon had been lying like a crouching beast between the closely built houses had now risen. It was as though it had waited till nightfall for its prey, and then departed, leaving a sense of sulkiness in the atmosphere that weighed persistently on the spirits. A slight drizzling rain was wetting the pavements. It clung in a mist to the glass panes of the street lamps, dimming the glow of the light within.
In the windows of all the houses the electric lights were burning. You could see clerks, male and female, bent up over their desks beneath them. Some worked steadily, never looking up from their occupations; others gazed with expressionless faces out into the street. Occasionally the figure of a man would move out of the apparent darkness of the room beyond. The light would fan in patches on his face. You could see his lips moving as he spoke to the occupant of the desk; you might even trace the faint animation as it crept into the face of the person thus addressed. But it would only last for a few moments. The man would move away and the look of tired apathy settle itself once more upon the clerk's features as soon as he or she were left alone.
As it grew later, there might be seen men with hats on their heads, moving about—in the light one moment, lost in the darkness the next. Some of them were pulling gloves on to their hands, or lighting cigarettes, others would be pinning a bunch of violets into their button-holes, or brushing the shoulders of their coats. These were the ones who had finished for the day. It could always be known when they had taken their departure. The heads of the clerks would twist towards the interior of the room. You could almost imagine the wistful expression on their faces from the bare outlines of their attitudes as they turned in their chairs. Then, a minute later, the main door of the house would open, the figure of a man emerge; for a moment he would turn his face up to the sky, then the umbrella would go up and he would walk away into the darkness of the street, for one brief moment an individual with an identity; the next, a mere unit in the great herd of human beings.
There were many departures such as these before, at last, the clerks rose from their chairs. When finally they did move, it was with a lethargy that almost concealed the relief which the cessation of work had brought them. One might have expected to see the slamming of books and the rushing for hats like children released from school. But there was no such energy of delight as that. Ledgers were closed wearily, as though they were weighted with leaden covers; papers were put in tiny heaps as if they were a pile of death-warrants. Typewriters were covered with such slowness and such care that one might think they were delicate instruments of music with silver strings, instead of treadmills for tired hands.
Some reason must explain why these young men and girls, when their superiors took their departure, showed so plainly the envy that they felt and now are apparently unmoved by the prospect of their own freedom. It is simply this. Vitality is an exhaustible quality. It may last up to a certain moment, then it burns out like the hungry wick of a candle that has no more grease to feed it. You can incarcerate a man for such a length of time that when at last you do give him his liberty he has no love left for it. It is much the same with these creatures who are imprisoned in the barred cells of London offices. By the time their day's work is ended their vitality for enjoyment has been exhausted. They take their liberty much as a man takes the sentence of penal servitude when he had expected to be hanged.
Stand for a moment in this street that runs out from the Covent Garden Market and watch the office windows before the lights are extinguished. Is there one attitude, one movement, one gesture that betrays the joy of freedom now that the day's work is over? Scarcely one. That boy with the long dark hair drooping on his forehead, contrasting so vividly against his sallow skin—you might imagine from the listlessness of his actions that the day's work was just beginning. At lunch time, when the vitality was yet in store, he might have been seen, running out from the building in the gleeful anticipation of an hour's rest. But now, when all the hours of the night are before him, his nervous energy has been sapped away. You get no spirit in a tired horse. It shies at nothing, but drags one foot wearily after another until the stable door is reached.
This is the actual condition of things that the young men and women find when they have burnt their boats, have left the country for the illusory joys of the town. There may be greater possibilities of enjoyment; but this huge, carnivorous plant—this gigantic city of London—has only displayed its attractions in order to gain its prey. They are drawn by the colours of the petals, they come to the honeyed perfume of its scent; but once caught in the prison of its embrace, there is only the slow poison of forced labour that eats its deadly way into the very heart of their vitality.
In one of these offices off Covent Garden, under a green-shaded lamp that cast its metallic rays on to the typewriting machine before her, sat one of the young lady clerks in the establishment of Bonsfield & Co., a firm of book-buyers. They carried on a promiscuous trade with America and the Colonies, and managed, by the straining of ends, to meet their expenses and show a small margin of profit. You undertake the labour of a slave in Egypt, and run the risk of a forlorn hope when you try to make a living wage in London as your own master. The price of freedom in a free country is beyond the reach of most pockets.
The hour of six had rung out from the neighbouring clocks, yet this girl showed no signs of finishing her work. From down in the street you could see her bent over the machine, her fingers pounding the keys—human hammers monotonously striving to beat out a pattern upon metal, a pattern that would never come. The light from the green-shaded lamp above her, fell obliquely on her head. It lit up her pale, golden hair like a sun-ray; it drew out the round, gentle curve of her face and threw it up against the darkness of the room beyond. So well as it could, with its harsh methods, it made a picture. One instinctively paused to look at it. A man coming out of the shadows of the Covent Garden Market stopped as he passed down King Street and gazed up at the window.
