Copyright, 1922, by

CUPPLES & LEON COMPANY

Printed in United States of America

CONTENTS

LIST OF ILLUSTRATIONS

INTRODUCTION

"Nobody's Girl," published in France under the title "En Famille", follows "Nobody's Boy" as a companion juvenile story, and takes place with it as one of the supreme juvenile stories of the world. Like "Nobody's Boy" it was also crowned by the Academy, and that literary judgment has also been verified by the test of time.

"Nobody's Girl" is not a human document, such as is "Nobody's Boy", because it has more story plot, and the adventure is in a more restricted field, but it discloses no less the nobility of a right-minded child, and how loyalty wins the way to noble deeds and life. This is another beautiful literary creation of Hector Malot which every one can recommend as an ennobling book, of interest not only to childhood, page by page to the thrilling conclusion, but to every person who loves romance and character.

Only details, irrelevant for readers in America, have been eliminated. Little Perrine's loyal ideals, with their inspiring sentiments, are preserved by her through the most discouraging conditions, and are described with the simplicity for which Hector Malot is famous. The building up of a little girl's life is made a fine example for every child. Every reader of this story leaves it inspired for the better way.

The Publishers.

NOBODY'S GIRL

CHAPTER I

PERRINE AND PALIKARE

IT WAS Saturday afternoon about 3 o'clock. There was the usual scene; outside the Gates of Bercy there was a crowd of people, and on the quays, four rows deep, carts and wagons were massed together. Coal carts, carts heaped with hay and straw, all were waiting in the clear, warm June sunshine for the examination from the custom official. All had been hurrying to reach Paris before Sunday.

Amongst the wagons, but at some little distance from the Gates, stood an odd looking cart, a sort of caravan. Over a light frame work which was erected on four wheels was stretched a heavy canvas; this was fastened to the light roof which covered the wagon. Once upon a time the canvas might have been blue, but it was so faded, so dirty and worn, that one could only guess what its original color had been. Neither was it possible to make out the inscriptions which were painted on the four sides. Most of the words were effaced. On one side there was a Greek word, the next side bore part of a German word, on the third side were the letters F I A, which was evidently Italian, and on the last a newly painted French word stood out boldly. This was PHOTOGRAPHIE, and was evidently the translation of all the others, indicating the different countries through which the miserable wagon had come before it had entered France and finally arrived at the Gates of Paris.

Was it possible that the donkey that was harnessed to it had brought the cart all this distance? At first glance it seemed impossible, but although the animal was tired out, one could see upon a closer view that it was very robust and much bigger than the donkeys that one sees in Europe. Its coat was a beautiful dark grey, the beauty of which could be seen despite the dust which covered it. Its slender legs were marked with jet black lines, and worn out though the poor beast was, it still held its head high. The harness, worthy of the caravan, was fastened together with various colored strings, short pieces, long pieces, just what was at hand at the moment; the strings had been carefully hidden under the flowers and branches which had been gathered along the roads and used to protect the animal from the sun and the flies.

Close by, seated on the edge of the curb, watching the donkey, was a little girl of about thirteen years of age. Her type was very unusual, but it was quite apparent that there was a mixture of race. The pale blond of her hair contrasted strangely with the deep, rich coloring of her cheeks, and the sweet expression of her face was accentuated by the dark, serious eyes. Her mouth also was very serious. Her figure, slim and full of grace, was garbed in an old, faded check dress, but the shabby old frock could not take away the child's distinguished air.

As the donkey had stopped just behind a large cart of straw, it would not have required much watching, but every now and again he pulled out the straw, in a cautious manner, like a very intelligent animal that knows quite well that it is doing wrong.

"Palikare! stop that!" said the girl for the third time.

The donkey again dropped his head in a guilty fashion, but as soon as he had eaten his wisps of straw he began to blink his eyes and agitate his ears, then again discreetly, but eagerly, tugged at what was ahead of him; this in a manner that testified to the poor beast's hunger.

While the little girl was scolding him, a voice from within the caravan called out:

"Perrine!"

Jumping to her feet, the child lifted up the canvas and passed inside, where a pale, thin woman was lying on a mattress.

"Do you need me, mama?"

"What is Palikare doing, dear?" asked the woman.

"He is eating the straw off the cart that's ahead of us."

"You must stop him."

"He's so hungry."

"Hunger is not an excuse for taking what does not belong to us. What will you say to the driver of that cart if he's angry?"

"I'll go and see that Palikare doesn't do it again," said the little girl.