"Great Writers."
EDITED BY
ERIC ROBERTSON AND FRANK T. MARZIALS.
LIFE OF BROWNING.
FOR FULL LIST OF THE VOLUMES IN THIS SERIES, SEE CATALOGUE AT END OF BOOK
LIFE OF ROBERT BROWNING
BY
WILLIAM SHARP.
LONDON WALTER SCOTT, LIMITED PATERNOSTER SQUARE 1897
CONTENTS.
CHAPTER I.
London, Robert Browning's birthplace; his immediate predecessors and contemporaries in literature, art, and music; born May 7th, 1812; origin of the Browning family; assertions as to its Semitic connection apparently groundless; the poet a putative descendant of the Captain Micaiah Browning mentioned by Macaulay; Robert Browning's mother of Scottish and German origin; his father a man of exceptional powers, artist, poet, critic, student; Mr. Browning's opinion of his son's writings; the home in Camberwell; Robert Browning's childhood; concerning his optimism; his fondness for Carravaggio's "Andromeda and Perseus"; his poetic precocity; origin of "The Flight of the Duchess"; writes Byronic verse; is sent to school at Peckham; his holiday afternoons; sees London by night, from Herne Hill; the significance of the spectacle to him. Page 11.
CHAPTER II.
He wishes to be a poet; writes in the style of Byron and Pope; the "Death of Harold"; his poems, written when twelve years old, shown to Miss Flower; the Rev. W.J. Fox's criticisms on them; he comes across Shelley's "Dæmon of the World"; Mrs. Browning procures Shelley's poems, also those of Keats, for her son; the perusal of these volumes proves an important event in his poetic development; he leaves school when fourteen years old, and studies at home under a tutor; attends a few lectures at University College, 1829-30; chooses his career, at the age of twenty; earliest record of his utterances concerning his youthful life printed in Century Magazine, 1881; he plans a series of monodramatic epics; Browning's life-work, collectively one monodramatic "epic"; Shakspere's and Browning's methods compared; Browning writes "Pauline" in 1832; his own criticism on it; his parents' opinions; his aunt's generous gift; the poem published in January 1833; description of the poem; written under the inspiring stimulus of Shelley; its autopsychical significance; its importance to the student of the poet's works; quotations from "Pauline". Page 29.
CHAPTER III.
The public reception of "Pauline"; criticisms thereupon; Mr. Fox's notice in the Monthly Repository, and its results; Dante Gabriel Rossetti reads "Pauline" and writes to the author; Browning's reference to Tennyson's reading of "Maud" in 1855; Browning frequents literary society; reads at the British Museum; makes the acquaintance of Charles Dickens and "Ion" Talfourd; a volume of poems by Tennyson published simultaneously with "Pauline"; in 1833 he commences his travels; goes to Russia; the sole record of his experiences there to be found in the poem "Ivàn Ivànovitch," published in Dramatic Idyls, 1879; his acquaintance with Mazzini; Browning goes to Italy; visits Asolo, whence he drew hints for "Sordello" and "Pippa Passes"; in 1834 he returns to Camberwell; in autumn of 1834 and winter of 1835 commences "Sordello," writes "Paracelsus," and one or two short poems; his love for Venice; a new voice audible in "Johannes Agricola" and "Porphyria"; "Paracelsus," published in 1835; his own explanation of it; his love of walking in the dark; some of "Paracelsus" and of "Strafford" composed in a wood near Dulwich; concerning "Paracelsus" and Browning's sympathy with the scientific spirit; description and scope of the poem; quotations therefrom; estimate of the work, and its four lyrics. Page 49.
CHAPTER IV.
Criticisms upon "Paracelsus," important one written by John Forster; Browning meets Macready at the house of Mr. Fox; personal description of the poet; Macready's opinion of the poem; Browning spends New Year's Day, 1836, at the house of the tragedian and meets John Forster; Macready urges him to write a play; his subsequent interview with the tragedian; he plans a drama to be entitled "Narses"; meets Wordsworth and Walter Savage Landor at a supper party, when the young poet is toasted, and Macready again proposes that Browning should write a play, from which arose the idea of "Strafford"; his acquaintance with Wordsworth and Landor; MS. of "Strafford" accepted; its performance at Covent Garden Theatre on the 26th May 1837; runs for five nights; the author's comments; the drama issued by Messrs. Longman & Co.; the performance in 1886; estimate of "Strafford"; Browning's dramas; comparison between the Elizabethan and Victorian dramatic eras; Browning's soul-depictive faculty; his dramatic method; estimate of his dramas; Landor's acknowledgment of the dedication to him of "Luria". Page 73.
CHAPTER V.
"Profundity" and "Simplicity"; the faculty of wonder; Browning's first conception of "Pippa Passes"; his residence in London; his country walks; his ways and habits, and his heart-episodes; debates whether to become a clergyman; is "Pippa Passes" a drama? estimate of the poem; Browning's rambles on Wimbledon Common and in Dulwich Wood, where he composed his lines upon Shelley; asserts there is romance in Camberwell as well as in Italy; "Sordello"; the charge of obscurity against "Sordello"; the nature and intention of the poem; quotations therefrom; anecdote about Douglas Jerrold; Tennyson's, Carlyle's, and M. Odysse Barot's opinions on "Sordello"; "enigmatic" poetry; in 1863 Browning contemplated the re-writing of "Sordello"; dedication to the French critic, Milsand. Page 93.
CHAPTER VI.
Browning's three great dramatic poems; "The Ring and the Book" his finest work; its uniqueness; Carlyle's criticism of it; Poetry versus Tour-de-Force; "The Ring and the Book" begun in 1866; analysis of the poem; kinship of "The Ring and the Book" and "Aurora Leigh"; explanation of title; the idea taken from a parchment volume Browning picked up in Florence; the poem planned at Casa Guidi; "O Lyric Love," etc.; description and analysis of "The Ring and the Book," with quotations; compared as a poem with "The Inn Album," "Pauline," "Asolando," "Men and Women," etc.; imaginary volumes, to be entitled "Transcripts from Life" and "Flowers o' the Vine"; Browning's greatest period; Browning's primary importance. Page 113.
CHAPTER VII.
Early life of Elizabeth Barrett Browning; born in 1820; the chief sorrow of her life; the Barrett family settle in London; "The Cry of the Children" and its origin; Miss Barrett's friends; effect on her of Browning's poetry; she makes Browning's acquaintance in 1846; her early belief in him as a poet; her physical delicacy and her sensitiveness of feeling; personal appearance of Robert Browning; his "electric" hand; Elizabeth Barrett discerns his personal worth, and is susceptible to the strong humanity of Browning's song; Mr. Barrett's jealousy; their engagement; Miss Barrett's acquaintance with Mrs. Jameson; quiet marriage in 1846; Mr. Barrett's resentment; the Brownings go to Paris; thence to Italy with Mrs. Jameson; Wordsworth's comments; residence in Pisa; "Sonnets from the Portuguese"; in the spring they go to Florence, thence to Ancona, where "The Guardian Angel" was written; Casa Guidi; W.W. Story's account of the rooms at Casa Guidi; perfect union. Page 135.
CHAPTER VIII.
March 1849, birth of Robert Wiedemann Barrett Browning; Browning writes his "Christmas Eve and Easter Day"; "Casa Guidi Windows" commenced; 1850, they go to Rome; "Two in the Campagna"; proposal to confer poet-laureateship on Mrs. Browning; return to London; winter in Paris; summer in London; Kenyon's friendship; return in autumn to Casa Guidi; Browning's Essay on Shelley for the twenty-five spurious Shelley letters; midsummer at Baths of Lucca, where "In a Balcony" was in part written; winter of 1853-4 in Rome; record of work; "Pen's" illness; "Ben Karshook's Wisdom"; return to Florence; (1856) "Men and Women" published; the Brownings go to London; in summer "Aurora Leigh" issued; 1858, Mrs. Browning's waning health; 1855-64 comparatively, unproductive period with R. Browning; record of work; July 1855, they travel to Normandy; "Legend of Pornic"; Mrs. Browning's ardent interest in the Italian struggle of 1859; winter in Rome; "Poems before Congress"; her last poem, "North and South"; death of Mrs. Browning at Casa Guidi, 28th June 1861. Page 157.
CHAPTER IX.
Browning's allusions to death of his wife; Miss Browning resides with her brother from 1866; 1868, collected works published; first part of "The Ring and the Book" published in November 1866; "Hervé Riel" written; Browning's growing popularity; Tauchnitz editions of his poems in 1872; also first book of selections; dedication to Lord Tennyson; 1877, he goes to La Saisiaz, near Geneva; "La Saisiaz" and "The Two Poets of Croisic" published 1878; Browning's later poems; Browning Society established 1881; Browning's letter thereupon to Mr. Yates; trips abroad; his London residences; his last letter to Tennyson; revisits Asolo; Palazzo Rezzonico; his belief in immortality; his death, Thursday, Dec. 12th, 1889; funeral in Westminster Abbey; Sonnet by George Meredith; new star in Orion; R. Browning's place in literature; Summary, etc. Page 176.
NOTE.
In all important respects I leave this volume to speak for itself. For obvious reasons it does not pretend to be more than a Mémoire pour servir: in the nature of things, the definitive biography cannot appear for many years to come. None the less gratefully may I take the present opportunity to express my indebtedness to Mr. R. Barrett Browning, and to other relatives and intimate friends of Robert Browning, who have given me serviceable information, and otherwise rendered kindly aid. For some of the hitherto unpublished details my thanks are, in particular, due to Mrs. Fraser Corkran and Miss Alice Corkran, and to other old friends of the poet and his family, here, in Italy, and in America; though in one or two instances, I may add, I had them from Robert Browning himself. It is with pleasure that I further acknowledge my indebtedness to Dr. Furnivall, for the loan of the advance-proofs of his privately-printed pamphlet on "Browning's Ancestors"; and to the Browning Society's Publications--particularly to Mrs. Sutherland Orr's and Dr. Furnivall's biographical and bibliographical contributions thereto; to Mr. Gosse's biographical article in the Century Magazine for 1881; to Mr. Ingram's Life of E.B. Browning; and to the Memoirs of Anna Jameson, the Italian Note-Books of Nathaniel Hawthorne, Mr. G.S. Hillard's Six Months in Italy (1853), and the Lives and Correspondence of Macready, Miss Mitford, Leigh Hunt, and Walter Savage Landor. I regret that the imperative need of concision has prevented the insertion of many of the letters, anecdotes, and reminiscences, so generously placed at my disposal; but possibly I may have succeeded in educing from them some essential part of that light which they undoubtedly cast upon the personality and genius of the poet.
