Executive Director's Notes:
In addition to the notes below, and so you will *NOT* think all the spelling errors introduced by the printers of the time have been corrected, here are the first few lines of Hamlet, as they are presented herein:
Barnardo. Who's there? Fran. Nay answer me: Stand & vnfold your selfe
Bar. Long liue the King
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As I understand it, the printers often ran out of certain words or letters they had often packed into a "cliche". . .this is the original meaning of the term cliche. . .and thus, being unwilling to unpack the cliches, and thus you will see some substitutions that look very odd. . .such as the exchanges of u for v, v for u, above. . .and you may wonder why they did it this way, presuming Shakespeare did not actually write the play in this manner. . . .
The answer is that they MAY have packed "liue" into a cliche at a time when they were out of "v"'s. . .possibly having used "vv" in place of some "w"'s, etc. This was a common practice of the day, as print was still quite expensive, and they didn't want to spend more on a wider selection of characters than they had to.
You will find a lot of these kinds of "errors" in this text, as I have mentioned in other times and places, many "scholars" have an extreme attachment to these errors, and many have accorded them a very high place in the "canon" of Shakespeare. My father read an assortment of these made available to him by Cambridge University in England for several months in a glass room constructed for the purpose. To the best of my knowledge he read ALL those available . . .in great detail. . .and determined from the various changes, that Shakespeare most likely did not write in nearly as many of a variety of errors we credit him for, even though he was in/famous for signing his name with several different spellings.
So, please take this into account when reading the comments below made by our volunteer who prepared this file: you may see errors that are "not" errors. . . .
So. . .with this caveat. . .we have NOT changed the canon errors, here is the Project Gutenberg Etext of Shakespeare's play.
Michael S. Hart Project Gutenberg Executive Director
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Scanner's Notes:
What this is and isn't. This was taken from a copy of Shakespeare's first folio and it is as close as I can come in ASCII to the printed text.
The elongated S's have been changed to small s's and the conjoined ae have been changed to ae. I have left the spelling, punctuation, capitalization as close as possible to the printed text. I have corrected some spelling mistakes (I have put together a spelling dictionary devised from the spellings of the Geneva Bible and Shakespeare's First Folio and have unified spellings according to this template), typo's and expanded abbreviations as I have come across them. Everything within brackets [] is what I have added. So if you don't like that you can delete everything within the brackets if you want a purer Shakespeare.
Another thing that you should be aware of is that there are textual differences between various copies of the first folio. So there may be differences (other than what I have mentioned above) between this and other first folio editions. This is due to the printer's habit of setting the type and running off a number of copies and then proofing the printed copy and correcting the type and then continuing the printing run. The proof run wasn't thrown away but incorporated into the printed copies. This is just the way it is. The text I have used was a composite of more than 30 different First Folio editions' best pages.
David Reed
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As you Like it
Actus primus. Scoena Prima.
Enter Orlando and Adam.
Orlando. As I remember Adam, it was vpon this fashion bequeathed me by will, but poore a thousand Crownes, and as thou saist, charged my brother on his blessing to breed mee well: and there begins my sadnesse: My brother Iaques he keepes at schoole, and report speakes goldenly of his profit: for my part, he keepes me rustically at home, or (to speak more properly) staies me heere at home vnkept: for call you that keeping for a gentleman of my birth, that differs not from the stalling of an Oxe? his horses are bred better, for besides that they are faire with their feeding, they are taught their mannage, and to that end Riders deerely hir'd: but I (his brother) gaine nothing vnder him but growth, for the which his Animals on his dunghils are as much bound to him as I: besides this nothing that he so plentifully giues me, the something that nature gaue mee, his countenance seemes to take from me: hee lets mee feede with his Hindes, barres mee the place of a brother, and as much as in him lies, mines my gentility with my education. This is it Adam that grieues me, and the spirit of my Father, which I thinke is within mee, begins to mutinie against this seruitude. I will no longer endure it, though yet I know no wise remedy how to auoid it. Enter Oliuer.
Adam. Yonder comes my Master, your brother
Orlan. Goe a-part Adam, and thou shalt heare how he will shake me vp
Oli. Now Sir, what make you heere? Orl. Nothing: I am not taught to make any thing
Oli. What mar you then sir? Orl. Marry sir, I am helping you to mar that which God made, a poore vnworthy brother of yours with idlenesse
Oliuer. Marry sir be better employed, and be naught a while
Orlan. Shall I keepe your hogs, and eat huskes with them? what prodigall portion haue I spent, that I should come to such penury? Oli. Know you where you are sir? Orl. O sir, very well: heere in your Orchard
Oli. Know you before whom sir? Orl. I, better then him I am before knowes mee: I know you are my eldest brother, and in the gentle condition of bloud you should so know me: the courtesie of nations allowes you my better, in that you are the first borne, but the same tradition takes not away my bloud, were there twenty brothers betwixt vs: I haue as much of my father in mee, as you, albeit I confesse your comming before me is neerer to his reuerence
Oli. What Boy
