A Commentary cover

A Commentary

by John Galsworthy

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About This Book

A commentary.--The lost dog.--Demos.--Old age.--The careful man.--Fear.--Fashion.--Sport--Money--Progress.--Holiday.--Facts.--Power.--The house of silence.--Order.--The mother.--Comfort.--A child.--Justice.--Hope

245

Chapters

~2940 min

Est. Listening Time

English

Language

2.5

Goodreads Rating

A COMMENTARY

THE WORKS OF JOHN GALSWORTHY

NOVELS

VILLA RUBEIN: AND OTHER STORIES THE ISLAND PHARISEES THE MAN OF PROPERTY THE COUNTRY HOUSE FRATERNITY THE PATRICIAN THE DARK FLOWER THE FREELANDS BEYOND FIVE TALES SAINT’S PROGRESS IN CHANCERY TO LET THE BURNING SPEAR THE WHITE MONKEY THE SILVER SPOON SWAN SONG

THE FORSYTE SAGA A MODERN COMEDY

SHORT STORIES AND STUDIES

A COMMENTARY A MOTLEY THE INN OF TRANQUILLITY THE LITTLE MAN A SHEAF ANOTHER SHEAF TATTERDEMALION CAPTURES CASTLES IN SPAIN AND OTHER SCREEDS TWO FORSYTE INTERLUDES

CARAVAN

VERSES NEW AND OLD

MEMORIES (Illustrated) AWAKENING (Illustrated) ADDRESSES IN AMERICA

PLAYS

The above Plays issued separately

PLAYS BY JOHN GALSWORTHY—1 VOL.

THE GROVE EDITION

The Novels, Stories, and Studies of John Galsworthy in small volumes

A COMMENTARY

BY JOHN GALSWORTHY

NEW YORK CHARLES SCRIBNER’S SONS

Printed in the United States of America

“JUSTICE” APPEARED IN THE Albany Review (LONDON); “POWER” IN THE New Age; ALL THE OTHER SKETCHES IN THIS VOLUME HAVE APPEARED IN The Nation (LONDON). THE AUTHOR THANKS THE EDITORS OF THESE REVIEWS

CONTENTS

A COMMENTARY

The old man whose call in life was to warn the public against the dangers of the steam-roller held a small red flag in his remaining hand, for he had lost one arm. His brown face, through whose leathery skin white bristles showed, had a certain dignity; so had his square upstanding figure. And his light grey eyes, with tiny pupils, gazed with a queer intentness, as if he saw beyond you. His clothes were old, respectable, and stained with grease; his smile shrewd and rather sweet, and his voice—of one who loved to talk, but whose profession kept him silent—was deliberate and sonorous, with a whistling lisp in it, because he had not many teeth.

“What’s your opinion?” he said one summer morning. “I’ll tell you my experience: a lot o’ them that’s workin’ on road jobs like this are fellers that the Vestries takes on, makin’ o’ work for them—the lowest o’ the low. You can’t do nothing with them; here to-day and gone to-morrow. Lost dogs I call ’em. Most of them goes on the drink the moment they gets a chance, and the language that they’ll use—oh dear! But you can’t blame them’s far as I can see—they’re born tired. They ain’t up to what’s wanted of ’em nowadays. You might just as well put their ’eads under this steam-roller and ’ave done with it.”

Then lowering his voice as though imparting information of a certain value: “And that’s just what I think’s ’appened to them already; that great thing”—he pointed to the roller—“that great thing goes on, and on, and on—it’s gone over them! Life nowadays has got no more feelin’ for a man than for a beetle. See the way the poor live—like pigs, crowded all together; to any one who knows, it’s awful! An’ morals—something dreadful! How can you have morals when you’ve got to live like that—let alone humanity? You can’t, it stands to reason. Talk about democracy—government by the people? There’s no sense in it; the people’s kept like pigs; all they’ve got’s like pig-wash thrown ’em. They know there’s no hope for them. Why, when all’s done, a working-man can’t save enough to keep ’imself in his old age. Look at me! I’ve lost my arm, all my savin’s was spent when I was gettin’ well; I’ve got this job now, an’ very glad to get it—but the time ’ll come when I’ll be too old to stand about all weathers; what ’ll happen? I’ll either ’ave to starve or go into the ’Ouse—well, that’s a miserable ending for a man. But then you say, what can you do? That’s just it—what can you do? Where’s the money to come from? People say Parliament ought to find it, but I’ve not much ’opes of them; they’re very slow. All my life I’ve noticed that. Very slow! Them fellers in Parliament, they’ve got their positions and one thing and another to consider, the same as any other people; they’re bound to be cautious, they don’t want to take no risks, it stands to reason. Well, that’s all against reforms, I think. All they do, why it’s no more than following after this ’ere roller, treadin’ in the stones.”

He paused, looking dubiously at the roller, now close at hand. “See what a lot o’ things the money’s wanted for. It’s not only old-age pensions, there’s illness! When I lost my arm, and lay there in the ’orspital, it worried me to think what I should do when I got out—put me in such a stew; well, there’s thousands like that—people with consumption, people with bad blood—’undreds an’ thousands, that’s got nothin’ to fall back on; they’re in fear all their time.”

He came closer, and his voice seemed to whistle more than ever. “It’s a dreadful thing, is fear. I thought that I’d come out a log, an’ just ’ave to rot away. I’ve got no family—but them fellers in consumption with families an’ all, it’s an awful thing for them. Here’s a carriage—I mustn’t get to talking!”

He moved forward to the barrier, and stood there holding up his flag. A barouche and pair came sweeping up; the sun shone on its panels, on the horses’ coats, the buttons of the coachman, and the egrets in two ladies’ hats. It swerved at sight of the red flag, and swung round the corner to the left.

The old man stood looking after it, and the silence was broken only by the crunching of the roller. Rousing himself from reverie, he said: “Fashion! D’you know, I can’t tell what them sort of people think of all day long. It puzzles me. Sometimes I fancy they don’t think at all. Thinking’s all done for them!” And again he seemed to lapse into his reverie. “If you told them that they’d stare at you. Why, they fancy they’re doin’ an awful lot, what with their bazaars an’ one thing an’ another. Them sort of people, they don’t mean any ’arm, but they ’aven’t got the mind. You can’t expect it of them, livin’ their lives; you want a lot o’ mind to think of other people.”

Suddenly his eyes brightened. “Why, take them street-walkers you see about at night; now what d’you think ladies in their carriages thinks of them—dirt! But them women ’alf the time’s no worse than what the ladies are. They took their bit o’ sport, as you may call it—same as lots o’ ladies take it. That’s where money comes in—they ’adn’t the money to keep off the streets. But what are you to do? You can’t have the creatures about.” A frown came on his brow, as though this question had long been troubling him. “The rich,” he went on, “are able for to educate their daughters, and look after them; I don’t blame them—it’s human nature to do the best you can for your own family; but you’ve got to think of others that haven’t got your money—you’ve got to be human about it. The mischief is, when a man’s got money, it’s like a wall between ’im an’ ’is fellows. That’s what I’ve found. What’s your opinion? Look here! My father was a farm labourer, at eight shillin’s a week, an’ brought up six of us. And ’owever ’e managed it I don’t know; but I don’t think things are any better than they were then—I don’t—I think they’re worse. This progress, or what do they call it, is destroyin’ of us. You can’t keep it back, no more than you could keep back that there roller if you pushed against it; all you can do’s to keep ahead of it, I suppose. But talk about people’s increasin’ in the milk of human kindness—I don’t see it, nor intelligence. Look at the way they spend their ’olidays—it gives you stomach-ache to see them. All a lot o’ rowdy fellers, never still a minute, that’s lost all religion—a lot o’ town-bred monkeys. This ’ere modern life, it’s hollowed of ’em out, that’s what it’s done, in my opinion. People’s got so restless; they keep on tryin’ first one thing and then another; anything so long as they can be doing something on their own. That’s a fact. It’s like a man workin’ on a job like this road-mendin’; he just sees the stones he’s puttin’ down himself, and he don’t see nothing else. That’s what everybody’s doin’. But I don’t see how you can prevent it; it looks as if ’twas in the blood. They talk about this Socialism; well, but I’m not very sweet on it—it’s mostly all a-lookin’ after your neighbour, ’s far’s I can see.”

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"A Commentary" was written by John Galsworthy.

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