
The Works of William Hogarth: In a Series of Engravings / With Descriptions, and a Comment on Their Moral Tendency
by John Trusler
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From the "Hogarth also was emphatically a people’s painter. He himself frequently asserted that no one was so badly qualified to form a true judgment of pictures as the professed connoisseur; inasmuch as the taste of such was originally formed upon imitations and confined to the styles of masters who had seldom any reference to true nature. Under this conviction Hogarth acted on the reverse of the general principle, and selected his subjects from nature, and for the crowd rather than for the critic. They were explained in that universal language common to the world, rather than in the technica...
Chapters (169)
- THE WORKS OF WILLIAM HOGARTH; IN A SERIES OF ENGRAVINGS: WITH DESCRIPTIONS, AND A COMMENT ON THEIR MORAL TENDENCY, BY THE REV. JOHN TRUSLER. TO WHICH ARE ADDED, ANECDOTES OF THE AUTHOR AND HIS WORKS, BY J. HOGARTH AND J. NICHOLS.
- THE LIFE OF HOGARTH.
- LIST OF ENGRAVINGS.
- VOL. I.
- HOGARTH'S WORKS.
- THE RAKE'S PROGRESS.
- PLATE I. THE YOUNG HEIR TAKING POSSESSION.
- PLATE II. SURROUNDED BY ARTISTS AND PROFESSORS.
- PLATE III. THE TAVERN SCENE.
- PLATE IV. ARRESTED FOR DEBT.
- PLATE V. MARRIES AN OLD MAID.
- PLATE VI. SCENE IN A GAMING HOUSE.
- PLATE VII. PRISON SCENE.
- PLATE VIII. SCENE IN A MADHOUSE.
- THE DISTRESSED POET.
- THE BENCH. CHARACTER, CARICATURA, AND OUTRE.
- THE LAUGHING AUDIENCE.
- GATE OF CALAIS. O, THE ROAST BEEF OF OLD ENGLAND!
- THE POLITICIAN.
- TASTE IN HIGH LIFE, IN THE YEAR 1742.
- THE HARLOT'S PROGRESS. PLATE I.
- THE HARLOT'S PROGRESS. PLATE II.
- THE HARLOT'S PROGRESS. PLATE III.
- THE HARLOT'S PROGRESS. PLATE IV.
- THE HARLOT'S PROGRESS. PLATE V.
- THE HARLOT'S PROGRESS. PLATE VI.
- THE LECTURE. DATUR VACUUM.
- THE CHORUS. REHEARSAL OF THE ORATORIO OF JUDITH.
- COLUMBUS BREAKING THE EGG.
- A MIDNIGHT MODERN CONVERSATION.
- CONSULTATION OF PHYSICIANS—THE UNDERTAKERS' ARMS.
- DANIEL LOCK, ESQ. F.A.S.
- THE ENRAGED MUSICIAN.
- MASQUERADES AND OPERAS. BURLINGTON GATE.
- MORNING.
- NOON.
- EVENING.
- NIGHT.
- SIGISMONDA
- MARTIN FOLKES, ESQ.
- THE COCKPIT.
- CAPTAIN THOMAS CORAM.
- THE COUNTRY INN YARD; OR, THE STAGE COACH.
- INDUSTRY AND IDLENESS.
- PLATE I. THE FELLOW-'PRENTICES AT THEIR LOOMS.
- PLATE II. THE INDUSTRIOUS 'PRENTICE PERFORMING THE DUTY OF A CHRISTIAN.
- PLATE III. THE IDLE 'PRENTICE AT PLAY IN THE CHURCH-YARD DURING DIVINE SERVICE.
- PLATE IV. THE INDUSTRIOUS 'PRENTICE A FAVOURITE AND INTRUSTED BY HIS MASTER.
- PLATE V. THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA.
- PLATE VI. THE INDUSTRIOUS 'PRENTICE OUT OF HIS TIME, AND MARRIED TO HIS MASTER'S DAUGHTER.
- PLATE VII. THE IDLE 'PRENTICE RETURNED FROM SEA, AND IN A GARRET WITH A COMMON PROSTITUTE.
- PLATE VIII. THE INDUSTRIOUS 'PRENTICE GROWN RICH, AND SHERIFF OF LONDON.
- PLATE IX. THE IDLE 'PRENTICE BETRAYED BY A PROSTITUTE, AND TAKEN IN A NIGHT CELLAR WITH HIS ACCOMPLICE.
- PLATE X. THE INDUSTRIOUS 'PRENTICE ALDERMAN OF LONDON; THE IDLE ONE BROUGHT BEFORE HIM, AND IMPEACHED BY HIS ACCOMPLICE.
- PLATE XI. THE IDLE 'PRENTICE EXECUTED AT TYBURN.
- PLATE XII. THE INDUSTRIOUS 'PRENTICE LORD MAYOR OF LONDON.
- SOUTHWARK FAIR.
- GARRICK IN THE CHARACTER OF RICHARD III.
- THE INVASION; OR, FRANCE AND ENGLAND.
- PLATE I. FRANCE.
- PLATE II. ENGLAND.
- FOOTNOTES:
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