The Play of Man
by Karl Groos
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About This Book
Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2018 with the help of original edition published long back [1901]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or m...
Chapters (466)(click to expand)
- THE PLAY OF MAN
- EDITOR’S PREFACE
- AUTHOR’S PREFACE
- CONTENTS
- THE SYSTEM OF PLAY
- Introduction
- PART I PLAYFUL EXPERIMENTATION
- I. Playful Activity of the Sensory Apparatus
- 1. Sensations of Contact
- 2. Sensations of Temperature
- 3. Sensations of Taste
- 4. Sensations of Smell
- 5. Sensations of Hearing37
- 6. Sensations of Sight
- II. Playful Use of the Motor Apparatus
- A. PLAYFUL MOVEMENT OF THE BODILY ORGANS
- B. PLAYFUL MOVING OF FOREIGN BODIES
- III. Playful Use of the Higher Mental Powers
- A. EXPERIMENTATION WITH THE MENTAL POWERS
- B. EXPERIMENTATION WITH THE FEELINGS
- C. EXPERIMENTATION WITH THE WILL
- PART II THE PLAYFUL EXERCISE OF IMPULSES OF THE SECOND OR SOCIONOMIC358 ORDER
- I. Fighting Play
- 1. Direct Physical Fighting Play
- 2. Direct Mental Contests
- 3. Physical Rivalry
- 4. Mental Rivalry
- 5. The Destructive Impulse
- 6. Teasing451
- 7. Enjoyment of the Comic
- 8. Hunting Play
- 9. Witnessing Fights and Fighting Plays. The Tragic
- II. Love Play
- 1. Natural Courtship Play
- 2. Love Play in Art
- 3. The Comic of Sex
- III. Imitative Plays
- 1. Playful Imitation of Simple Movements
- 2. Dramatic Imitation in Play
- 3. Plastic or Constructive Imitative Play
- 4. Inner Imitation
- IV. Social Plays
- PART III THE THEORY OF PLAY
- 1. The Physiological Standpoint
- 2. The Biological Standpoint
- 3. The Psychological Standpoint
- 4. The Æsthetic Standpoint
- 5. The Sociological Standpoint
- 6. The Pedagogical Standpoint
- FOOTNOTES:
- INDEX
- iii
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- v
- vi
- vii
- viii
- ix
- 1
- 2
- 3
- 4
- 5
- 6-7
- 8
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