The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2
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About This Book
This definitive edition of Coleridge's poetry includes all of his major works, as well as previously unpublished material. It offers readers a comprehensive view of his poetic vision and his contributions to the Romantic movement. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the bod...
Chapters (2256)
- THE COMPLETE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
- INCLUDING
- POEMS AND VERSIONS OF POEMS NOW PUBLISHED FOR THE FIRST TIME
- EDITED
- WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
- ERNEST HARTLEY COLERIDGE
- OXFORD AT THE CLARENDON PRESS 1912
- PREFACE
- CONTENTS OF THE TWO VOLUMES
- ABBREVIATIONS
- ERRATA
- POETICAL WORKS
- POEMS
- EASTER HOLIDAYS[1:1]
- FOOTNOTES:
- DURA NAVIS[2:1]
- FOOTNOTES:
- NIL PEJUS EST CAELIBE VITÂ[4:1]
- [IN CHRIST'S HOSPITAL BOOK]
- FOOTNOTES:
- SONNET[5:1]
- TO THE AUTUMNAL MOON
- FOOTNOTES:
- LINENOTES:
- ANTHEM[5:2]
- FOR THE CHILDREN OF CHRIST'S HOSPITAL
- FOOTNOTES:
- LINENOTES:
- JULIA[6:1]
- [IN CHRIST'S HOSPITAL BOOK]
- FOOTNOTES:
- LINENOTES:
- QUAE NOCENT DOCENT[7:1]
- [IN CHRIST'S HOSPITAL BOOK]
- FOOTNOTES:
- THE NOSE[8:1]
- FOOTNOTES:
- LINENOTES:
- TO THE MUSE[9:1]
- FOOTNOTES:
- LINENOTES:
- DESTRUCTION OF THE BASTILE[10:1]
- FOOTNOTES:
- LINENOTES:
- LIFE[11:1]
- FOOTNOTES:
- LINENOTES:
- PROGRESS OF VICE[12:1]
- FOOTNOTES:
- LINENOTES:
- MONODY ON THE DEATH OF CHATTERTON[13:1]
- [FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790]
- FOOTNOTES:
- LINENOTES:
- AN INVOCATION[16:1]
- FOOTNOTES:
- ANNA AND HARLAND[16:2]
- FOOTNOTES:
- LINENOTES:
- TO THE EVENING STAR[16:3]
- FOOTNOTES:
- PAIN[17:1]
- FOOTNOTES:
- LINENOTES:
- ON A LADY WEEPING[17:2]
- IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS
- MONODY ON A TEA-KETTLE[18:1]
- FOOTNOTES:
- LINENOTES:
- GENEVIEVE[19:1]
- FOOTNOTES:
- LINENOTES:
- ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
- FOOTNOTES:
- LINENOTES:
- ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
- FOOTNOTES:
- A MATHEMATICAL PROBLEM[21:2]
- FOOTNOTES:
- LINENOTES:
- HONOUR[24:1]
- FOOTNOTES:
- LINENOTES:
- ON IMITATION[26:1]
- FOOTNOTES:
- INSIDE THE COACH[26:2]
- FOOTNOTES:
- LINENOTES:
- DEVONSHIRE ROADS[27:1]
- FOOTNOTES:
- LINENOTES:
- MUSIC[28:1]
- FOOTNOTES:
- LINENOTES:
- SONNET[29:1]
- ON QUITTING SCHOOL FOR COLLEGE
- FOOTNOTES:
- LINENOTES:
- ABSENCE[29:2]
- A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE
- FOOTNOTES:
- LINENOTES:
- HAPPINESS[30:1]
- FOOTNOTES:
- LINENOTES:
- A WISH[33:1]
- WRITTEN IN JESUS WOOD, FEB. 10, 1792
- FOOTNOTES:
- AN ODE IN THE MANNER OF ANACREON[33:2]
- FOOTNOTES:
- TO DISAPPOINTMENT[34:1]
- FOOTNOTES:
- A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
- FOOTNOTES:
- LINENOTES:
- ODE[35:2]
- FOOTNOTES:
- LINENOTES:
- A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
- WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND IN THE EAST INDIES
- FOOTNOTES:
- WITH FIELDING'S 'AMELIA'[37:1]
- FOOTNOTES:
- LINENOTES:
- WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
- FOOTNOTES:
- LINENOTES:
- IMITATED FROM OSSIAN[38:1]
- FOOTNOTES:
- LINENOTES:
- THE COMPLAINT OF NINATHÓMA[39:1]
- FROM THE SAME
- FOOTNOTES:
- LINENOTES:
- SONGS OF THE PIXIES[40:1]
- FOOTNOTES:
- LINENOTES:
- THE ROSE[45:1]
- FOOTNOTES:
- LINENOTES:
- KISSES[46:2]
- FOOTNOTES:
- LINENOTES:
- THE GENTLE LOOK[47:1]
- FOOTNOTES:
- LINENOTES:
- SONNET[48:2]
- TO THE RIVER OTTER
- FOOTNOTES:
- LINENOTES:
- First Draft
- AN EFFUSION AT EVENING
- WRITTEN IN AUGUST, 1792
- LINES[51:1]
- ON AN AUTUMNAL EVENING
- FOOTNOTES:
- LINENOTES:
- TO FORTUNE[54:1]
- To Fortune
- FOOTNOTES:
- PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
- FOOTNOTES:
- [AVE, ATQUE VALE!][56:2]
- FOOTNOTES:
- ON BALA HILL[56:3]
- FOOTNOTES:
- LINENOTES:
- LINES[57:1]
- WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS'
- FOOTNOTES:
- LINENOTES:
- IMITATED FROM THE WELSH[58:1]
- FOOTNOTES:
- LINENOTES:
- LINES[58:2]
- TO A BEAUTIFUL SPRING IN A VILLAGE
- FOOTNOTES:
- LINENOTES:
- IMITATIONS AD LYRAM[59:1]
- (CASIMIR, BOOK II. ODE 3)
- FOOTNOTES:
- LINENOTES:
- TO LESBIA[60:2]
- FOOTNOTES:
- LINENOTES:
- THE DEATH OF THE STARLING[61:1]
- FOOTNOTES:
- LINENOTES:
- MORIENS SUPERSTITI[61:2]
- FOOTNOTES:
- MORIENTI SUPERSTES
- THE SIGH[62:1]
- FOOTNOTES:
- LINENOTES:
- THE KISS[63:1]
- FOOTNOTES:
- LINENOTES:
- TO A YOUNG LADY[64:1]
- WITH A POEM ON THE FRENCH REVOLUTION
- FOOTNOTES:
- LINENOTES:
- TRANSLATION[66:1]
- OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM' [KAL. OCT. MDCCXC]
- FOOTNOTES:
- TO MISS BRUNTON[67:1]
- WITH THE PRECEDING TRANSLATION
- FOOTNOTES:
- EPITAPH ON AN INFANT[68:1]
- FOOTNOTES:
- PANTISOCRACY[68:2]
- FOOTNOTES:
- LINENOTES:
- ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
- FOOTNOTES:
- ELEGY[69:2]
- IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.]
- FOOTNOTES:
- LINENOTES:
- THE FADED FLOWER[70:1]
- FOOTNOTES:
- THE OUTCAST[71:1]
- FOOTNOTES:
- LINENOTES:
- DOMESTIC PEACE[71:2]
- [FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]
- FOOTNOTES:
- LINENOTES:
- ON A DISCOVERY MADE TOO LATE[72:1]
- FOOTNOTES:
- LINENOTES:
- TO THE AUTHOR OF 'THE ROBBERS'[72:2]
- FOOTNOTES:
- LINENOTES:
- MELANCHOLY[73:1]
- A FRAGMENT
- FOOTNOTES:
- LINENOTES:
- TO A YOUNG ASS[74:2]
- ITS MOTHER BEING TETHERED NEAR IT
- FOOTNOTES:
- LINENOTES:
- LINES ON A FRIEND[76:1]
- WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS
- FOOTNOTES:
- LINENOTES:
- TO A FRIEND[78:1]
- [Charles Lamb] TOGETHER WITH AN UNFINISHED POEM
- FOOTNOTES:
- LINENOTES:
- SONNETS ON EMINENT CHARACTERS
- CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794 AND JANUARY 1795
- I[79:2]
- TO THE HONOURABLE MR. ERSKINE
- FOOTNOTES:
- LINENOTES:
- II[80:1]
- BURKE
- FOOTNOTES:
- LINENOTES:
- III[81:1]
- PRIESTLEY
- FOOTNOTES:
- LINENOTES:
- IV[82:1]
- LA FAYETTE
- FOOTNOTES:
- LINENOTES:
- V[82:3]
- KOSKIUSKO
- FOOTNOTES:
- LINENOTES:
- VI[83:1]
- PITT
- FOOTNOTES:
- LINENOTES:
- VII[84:1]
- TO THE REV. W. L. BOWLES[84:2] [FIRST VERSION, PRINTED IN 'MORNING CHRONICLE', DECEMBER 26, 1794]
- FOOTNOTES:
- LINENOTES:
- [SECOND VERSION][85:1]
- FOOTNOTES:
- LINENOTES:
- VIII[85:2]
- MRS. SIDDONS
- FOOTNOTES:
- LINENOTES:
- IX
- TO WILLIAM GODWIN[86:1] AUTHOR OF 'POLITICAL JUSTICE'
- FOOTNOTES:
- X[87:1]
- TO ROBERT SOUTHEY OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT', AND OTHER POEMS
- FOOTNOTES:
- XI[87:2]
- TO RICHARD BRINSLEY SHERIDAN, ESQ.
- FOOTNOTES:
- LINENOTES:
- TO LORD STANHOPE[89:1]
- ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS ['MORNING CHRONICLE,' JAN. 31, 1795]
- FOOTNOTES:
- TO EARL STANHOPE[89:2]
- FOOTNOTES:
- LINENOTES:
- LINES[90:2]
- TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER
- FOOTNOTES:
- LINENOTES:
- TO AN INFANT[91:1]
- FOOTNOTES:
- LINENOTES:
- TO THE REV. W. J. HORT[92:1]
- WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE
- FOOTNOTES:
- LINENOTES:
- PITY[93:1]
- FOOTNOTES:
- LINENOTES:
- TO THE NIGHTINGALE[93:2]
- FOOTNOTES:
- LINENOTES:
- LINES[94:1]
- COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795
- FOOTNOTES:
- LINENOTES:
- LINES IN THE MANNER OF SPENSER[94:2]
- FOOTNOTES:
- LINENOTES:
- THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
- FOOTNOTES:
- LINENOTES:
- LINES[96:2]
- WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL
- FOOTNOTES:
- LINENOTES:
- THE EOLIAN HARP[100:1]
- COMPOSED AT CLEVEDON, SOMERSETSHIRE
- FOOTNOTES:
- LINENOTES:
- TO THE AUTHOR OF POEMS[102:2]
- [Joseph Cottle] PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795
- FOOTNOTES:
- LINENOTES:
- THE SILVER THIMBLE[104:1]
- THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE
- FOOTNOTES:
- LINENOTES:
- REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
- FOOTNOTES:
- LINENOTES:
- RELIGIOUS MUSINGS[108:1]
- A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794
- FOOTNOTES:
- LINENOTES:
- MONODY ON THE DEATH OF CHATTERTON[125:1]
- FOOTNOTES:
- LINENOTES:
- THE DESTINY OF NATIONS[131:1]
- A VISION
- FOOTNOTES:
- LINENOTES:
- VER PERPETUUM[148:1]
- FRAGMENT
- From an unpublished poem.
- FOOTNOTES:
- ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
- FOOTNOTES:
- LINENOTES:
- TO A PRIMROSE[149:2]
- THE FIRST SEEN IN THE SEASON
- FOOTNOTES:
- LINENOTES:
- VERSES[150:1]
- ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION
- FOOTNOTES:
- LINENOTES:
- ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
- [PRINCE AND PRINCESS OF WALES]
- FOOTNOTES:
- LINENOTES:
- SONNET[152:2]
- ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON
- FOOTNOTES:
- LINENOTES:
- SONNET[153:1]
- COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796
- FOOTNOTES:
- LINENOTES:
- SONNET[154:2]
- TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME
- FOOTNOTES:
- LINENOTES:
- SONNET[155:1]
- [TO CHARLES LLOYD]
- FOOTNOTES:
- TO A YOUNG FRIEND[155:2]
- ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR
- Composed in 1796
- FOOTNOTES:
- LINENOTES:
- ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. Lloyd]
- WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY
- FOOTNOTES:
- LINENOTES:
- TO A FRIEND[158:1]
- [Charles Lamb] WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY
- FOOTNOTES:
- LINENOTES:
- ODE TO THE DEPARTING YEAR[160:1]
- FOOTNOTES:
- LINENOTES:
- THE RAVEN[169:1]
- A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS
- FOOTNOTES:
- LINENOTES:
- TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
- FOOTNOTES:
- LINENOTES:
- TO AN UNFORTUNATE WOMAN[172:1]
- WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE
- FOOTNOTES:
- LINENOTES:
- TO THE REV. GEORGE COLERIDGE[173:1]
- OF OTTERY ST. MARY, DEVON
- FOOTNOTES:
- LINENOTES:
- ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
- FOOTNOTES:
- TRANSLATION[177:1]
- OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH
- FOOTNOTES:
- LINENOTES:
- THIS LIME-TREE BOWER MY PRISON[178:1]
- [ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON]
- FOOTNOTES:
- LINENOTES:
- THE FOSTER-MOTHER'S TALE[182:1]
- A DRAMATIC FRAGMENT
- FOOTNOTES:
- LINENOTES:
- THE DUNGEON[185:1]
- FOOTNOTES:
- LINENOTES:
- THE RIME OF THE ANCIENT MARINER[186:1]
- IN SEVEN PARTS
- ARGUMENT
- FOOTNOTES:
- LINENOTES:
- SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
- [SIGNED 'NEHEMIAH HIGGINBOTTOM']
- FOOTNOTES:
- LINENOTES:
- PARLIAMENTARY OSCILLATORS[211:1]
- FOOTNOTES:
- LINENOTES:
- CHRISTABEL[213:1]
- PREFACE
- FOOTNOTES:
- LINENOTES:
- LINES TO W. L.[236:1]
- WHILE HE SANG A SONG TO PURCELL'S MUSIC
- FOOTNOTES:
- LINENOTES:
- FIRE, FAMINE, AND SLAUGHTER[237:1]
- A WAR ECLOGUE
- FOOTNOTES:
- LINENOTES:
- FROST AT MIDNIGHT[240:1]
- FOOTNOTES:
- LINENOTES:
- FRANCE: AN ODE[243:1]
- FOOTNOTES:
- LINENOTES:
- THE OLD MAN OF THE ALPS[248:1]
- FOOTNOTES:
- TO A YOUNG LADY[252:1]
- [Miss Lavinia Poole]
- ON HER RECOVERY FROM A FEVER
- FOOTNOTES:
- LINENOTES:
- LEWTI[253:1]
- OR THE CIRCASSIAN LOVE-CHAUNT
- FOOTNOTES:
- LINENOTES:
- FEARS IN SOLITUDE[256:1]
- WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION
- FOOTNOTES:
- LINENOTES:
- THE NIGHTINGALE[264:1]
- A CONVERSATION POEM, APRIL, 1798
- FOOTNOTES:
- LINENOTES:
- THE THREE GRAVES[267:1]
- A FRAGMENT OF A SEXTON'S TALE
- FOOTNOTES:
- LINENOTES:
- THE WANDERINGS OF CAIN[285:1]
- PREFATORY NOTE
- THE WANDERINGS OF CAIN
- CANTO II
- FOOTNOTES:
- LINENOTES:
- TO ——[292:1]
- FOOTNOTES:
- LINENOTES:
- THE BALLAD OF THE DARK LADIÉ[293:1]
- A FRAGMENT
- FOOTNOTES:
- LINENOTES:
- KUBLA KHAN[295:1]:
- Or, A Vision in a Dream. A Fragment.
- KUBLA KHAN
- FOOTNOTES:
- LINENOTES:
- RECANTATION[299:1]
- ILLUSTRATED IN THE STORY OF THE MAD OX
- FOOTNOTES:
- LINENOTES:
- HEXAMETERS[304:1]
- FOOTNOTES:
- LINENOTES:
- TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
- FOOTNOTES:
- LINENOTES:
- CATULLIAN HENDECASYLLABLES[307:1]
- FOOTNOTES:
- LINENOTES:
- THE HOMERIC HEXAMETER[307:2]
- DESCRIBED AND EXEMPLIFIED
- FOOTNOTES:
- THE OVIDIAN ELEGIAC METRE
- DESCRIBED AND EXEMPLIFIED
- ON A CATARACT[308:1]
- FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE
- FOOTNOTES:
- LINENOTES:
- TELL'S BIRTH-PLACE[309:1]
- IMITATED FROM STOLBERG
- FOOTNOTES:
- LINENOTES:
- THE VISIT OF THE GODS[310:1]
- IMITATED FROM SCHILLER
- FOOTNOTES:
- FROM THE GERMAN[311:1]
- FOOTNOTES:
- WATER BALLAD[311:2]
- [FROM THE FRENCH]
- FOOTNOTES:
- ON AN INFANT[312:1]
- WHICH DIED BEFORE BAPTISM
- FOOTNOTES:
- LINENOTES:
- SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
- WRITTEN IN GERMANY
- FOOTNOTES:
- LINENOTES:
- HOME-SICK[314:1]
- WRITTEN IN GERMANY
- FOOTNOTES:
- LINENOTES:
- LINES[315:1]
- WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST
- FOOTNOTES:
- LINENOTES:
- THE BRITISH STRIPLING'S WAR-SONG[317:1]
- IMITATED FROM STOLBERG
- FOOTNOTES:
- LINENOTES:
- NAMES[318:1]
- [FROM LESSING]
- FOOTNOTES:
- LINENOTES:
- THE DEVIL'S THOUGHTS[319:1]
- FOOTNOTES:
- LINENOTES:
- LINES COMPOSED IN A CONCERT-ROOM[324:1]
- FOOTNOTES:
- LINENOTES:
- WESTPHALIAN SONG[326:1]
- FOOTNOTES:
- HEXAMETERS[326:2]
- PARAPHRASE OF PSALM XLVI
- FOOTNOTES:
- HYMN TO THE EARTH[327:1]
- [IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE] HEXAMETERS
- FOOTNOTES:
- LINENOTES:
- MAHOMET[329:1]
- FOOTNOTES:
- LOVE[330:1]
- FOOTNOTES:
- LINENOTES:
- ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
- ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER MOUNT GOTHARD'
- FOOTNOTES:
- LINENOTES:
- A CHRISTMAS CAROL[338:1]
- FOOTNOTES:
- LINENOTES:
- TALLEYRAND TO LORD GRENVILLE[340:1]
- A METRICAL EPISTLE
- FOOTNOTES:
- LINENOTES:
- APOLOGIA PRO VITA SUA[345:1]
- FOOTNOTES:
- LINENOTES:
- THE KEEPSAKE[345:2]
- FOOTNOTES:
- LINENOTES:
- A THOUGHT SUGGESTED BY A VIEW[347:1]
- OF SADDLEBACK IN CUMBERLAND
- FOOTNOTES:
- LINENOTES:
- THE MAD MONK[347:2]
- FOOTNOTES:
- LINENOTES:
- INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
- FOOTNOTES:
- A STRANGER MINSTREL[350:1]
- WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH
- FOOTNOTES:
- LINENOTES:
- ALCAEUS TO SAPPHO[353:1]
- FOOTNOTES:
- THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
- FOOTNOTES:
- LINENOTES:
- THE SNOW-DROP[356:1]
- FOOTNOTES:
- LINENOTES:
- ON REVISITING THE SEA-SHORE[359:1]
- AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE
- FOOTNOTES:
- LINENOTES:
- ODE TO TRANQUILLITY[360:1]
- FOOTNOTES:
- LINENOTES:
- TO ASRA[361:1]
- FOOTNOTES:
- THE SECOND BIRTH[362:1]
- FOOTNOTES:
- LOVE'S SANCTUARY[362:2]
- FOOTNOTES:
- DEJECTION: AN ODE[362:3]
- [WRITTEN APRIL 4, 1802]
- FOOTNOTES:
- LINENOTES:
- THE PICTURE[369:1]
- OR THE LOVER'S RESOLUTION
- FOOTNOTES:
- LINENOTES:
- TO MATILDA BETHAM FROM A STRANGER[374:1]
- FOOTNOTES:
- LINENOTES:
- HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
- FOOTNOTES:
- LINENOTES:
- THE GOOD, GREAT MAN[381:1]
- REPLY TO THE ABOVE
- FOOTNOTES:
- LINENOTES:
- INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
- FOOTNOTES:
- LINENOTES:
- AN ODE TO THE RAIN[382:2]
- COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN
- FOOTNOTES:
- LINENOTES:
- A DAY-DREAM[385:1]
- FOOTNOTES:
- LINENOTES:
- ANSWER TO A CHILD'S QUESTION[386:1]
- FOOTNOTES:
- LINENOTES:
- THE DAY-DREAM[386:2]
- FROM AN EMIGRANT TO HIS ABSENT WIFE
- FOOTNOTES:
- LINENOTES:
- THE HAPPY HUSBAND[388:1]
- A FRAGMENT
- FOOTNOTES:
- LINENOTES:
- THE PAINS OF SLEEP[389:1]
- FOOTNOTES:
- LINENOTES:
- THE EXCHANGE[391:1]
- FOOTNOTES:
- LINENOTES:
- AD VILMUM AXIOLOGUM[391:2]
- [TO WILLIAM WORDSWORTH]
- FOOTNOTES:
- LINENOTES:
- AN EXILE[392:1]
- FOOTNOTES:
- SONNET[392:2]
- [TRANSLATED FROM MARINI]
- FOOTNOTES:
- PHANTOM[393:1]
- FOOTNOTES:
- A SUNSET[393:2]
- FOOTNOTES:
- LINENOTES:
- WHAT IS LIFE?[394:1]
- FOOTNOTES:
- LINENOTES:
- THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
- A LAMENT
- FOOTNOTES:
- LINENOTES:
- SEPARATION[397:1]
- FOOTNOTES:
- THE RASH CONJURER[399:1]
- FOOTNOTES:
- A CHILD'S EVENING PRAYER[401:1]
- FOOTNOTES:
- LINENOTES:
- METRICAL FEET[401:2]
- LESSON FOR A BOY
- FOOTNOTES:
- LINENOTES:
- FAREWELL TO LOVE[402:1]
- FOOTNOTES:
- LINENOTES:
- TO WILLIAM WORDSWORTH[403:1]
- COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
- FOOTNOTES:
- LINENOTES:
- AN ANGEL VISITANT[409:1]
- FOOTNOTES:
- RECOLLECTIONS OF LOVE[409:2]
- FOOTNOTES:
- TO TWO SISTERS[410:1]
- [Mary Morgan and Charlotte Brent]
- A WANDERER'S FAREWELL
- FOOTNOTES:
- PSYCHE[412:1]
- FOOTNOTES:
- LINENOTES:
- A TOMBLESS EPITAPH[413:1]
- FOOTNOTES:
- LINENOTES:
- FOR A MARKET-CLOCK[414:1]
- (IMPROMPTU)
- FOOTNOTES:
- THE MADMAN AND THE LETHARGIST[414:2]
- AN EXAMPLE
- FOOTNOTES:
- THE VISIONARY HOPE[416:1]
- FOOTNOTES:
- LINENOTES:
- EPITAPH ON AN INFANT[417:1]
- FOOTNOTES:
- LINENOTES:
- THE VIRGIN'S CRADLE-HYMN[417:2]
- COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC VILLAGE IN GERMANY
- FOOTNOTES:
- LINENOTES:
- TO A LADY[418:1]
- OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS
- FOOTNOTES:
- LINENOTES:
- REASON FOR LOVE'S BLINDNESS[418:2]
- FOOTNOTES:
- LINENOTES:
- THE SUICIDE'S ARGUMENT[419:1]
- FOOTNOTES:
- LINENOTES:
- TIME, REAL AND IMAGINARY[419:2]
- AN ALLEGORY
- FOOTNOTES:
- AN INVOCATION[420:1]
- From remorse
- [Act iii, Scene i. ll. 69-82.]
- FOOTNOTES:
- LINENOTES:
- THE NIGHT-SCENE[421:1]
- A DRAMATIC FRAGMENT
- FOOTNOTES:
- LINENOTES:
- A HYMN[423:1]
- FOOTNOTES:
- TO A LADY[424:1]
- WITH FALCONER'S SHIPWRECK
- FOOTNOTES:
- LINENOTES:
- HUMAN LIFE[425:1]
- —ON THE DENIAL OF IMMORTALITY
- FOOTNOTES:
- LINENOTES:
- SONG[426:1]
- FROM ZAPOLYA
- FOOTNOTES:
- LINENOTES:
- HUNTING SONG[427:1]
- FROM ZAPOLYA
- FOOTNOTES:
- LINENOTES:
- FAITH, HOPE, AND CHARITY[427:2]
- FROM THE ITALIAN OF GUARINI
- FOOTNOTES:
- TO NATURE[429:1]
- FOOTNOTES:
- LIMBO[429:2]
- FOOTNOTES:
- LINENOTES:
- NE PLUS ULTRA[431:1]
- FOOTNOTES:
- THE KNIGHT'S TOMB[432:1]
- FOOTNOTES:
- ON DONNE'S POETRY[433:1]
- FOOTNOTES:
- ISRAEL'S LAMENT[433:2]
- FOOTNOTES:
- LINENOTES:
- FANCY IN NUBIBUS[435:1]
- OR THE POET IN THE CLOUDS
- FOOTNOTES:
- LINENOTES:
- THE TEARS OF A GRATEFUL PEOPLE[436:1]
- FOOTNOTES:
- YOUTH AND AGE[439:1]
- FOOTNOTES:
- LINENOTES:
- THE REPROOF AND REPLY[441:1]
- FOOTNOTES:
- LINENOTES:
- FIRST ADVENT OF LOVE[443:2]
- FOOTNOTES:
- LINENOTES:
- THE DELINQUENT TRAVELLERS[443:3]
- FOOTNOTES:
- WORK WITHOUT HOPE[447:1]
- LINES COMPOSED 21ST FEBRUARY 1825
- FOOTNOTES:
- LINENOTES:
- SANCTI DOMINICI PALLIUM[448:1]
- A DIALOGUE BETWEEN POET AND FRIEND
- FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)
- FOOTNOTES:
- LINENOTES:
- SONG[450:2]
- FOOTNOTES:
- LINENOTES:
- A CHARACTER[451:1]
- FOOTNOTES:
- LINENOTES:
- THE TWO FOUNTS[454:1]
- STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN
- FOOTNOTES:
- LINENOTES:
- CONSTANCY TO AN IDEAL OBJECT[455:1]
- FOOTNOTES:
- LINENOTES:
- THE PANG MORE SHARP THAN ALL[457:1]
- AN ALLEGORY
- FOOTNOTES:
- DUTY SURVIVING SELF-LOVE[459:1]
- THE ONLY SURE FRIEND OF DECLINING LIFE A SOLILOQUY
- FOOTNOTES:
- LINENOTES:
- HOMELESS[460:1]
- FOOTNOTES:
- LINENOTES:
- LINES[460:2]
- SUGGESTED BY THE LAST WORDS OF BERENGARIUS OB. ANNO DOM. 1088
- FOOTNOTES:
- LINENOTES:
- EPITAPHIUM TESTAMENTARIUM[462:1]
- FOOTNOTES:
- LINENOTES:
- THE IMPROVISATORE[462:3]
- OR, 'JOHN ANDERSON, MY JO, JOHN'
- FOOTNOTES:
- TO MARY PRIDHAM[468:1]
- [AFTERWARDS MRS. DERWENT COLERIDGE]
- FOOTNOTES:
- LINENOTES:
- ALICE DU CLOS[469:1]
- OR THE FORKED TONGUE
- A BALLAD
- FOOTNOTES:
- LINENOTES:
- LOVE'S BURIAL-PLACE[475:1]
- FOOTNOTES:
- LINENOTES:
- LINES[476:1]
- TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW
- FOOTNOTES:
- LINENOTES:
- COLOGNE[477:1]
- FOOTNOTES:
- ON MY JOYFUL DEPARTURE[477:5]
- FROM THE SAME CITY
- FOOTNOTES:
- THE GARDEN OF BOCCACCIO[478:1]
- FOOTNOTES:
- LINENOTES:
- LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
- FOOTNOTES:
- LINENOTES:
- TO MISS A. T.[482:1]
- FOOTNOTES:
- LINES[483:1]
- WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND
- FOOTNOTES:
- LINENOTES:
- SONG, ex improviso[483:2]
- ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY
- FOOTNOTES:
- LINENOTES:
- LOVE AND FRIENDSHIP OPPOSITE[484:1]
- FOOTNOTES:
- LINENOTES:
- NOT AT HOME[484:2]
- FOOTNOTES:
- PHANTOM OR FACT[484:3]
- A DIALOGUE IN VERSE
- FOOTNOTES:
- DESIRE[485:1]
- FOOTNOTES:
- LINENOTES:
- CHARITY IN THOUGHT[486:1]
- FOOTNOTES:
- HUMILITY THE MOTHER OF CHARITY[486:2]
- FOOTNOTES:
- [COELI ENARRANT][486:3]
- FOOTNOTES:
- REASON[487:1]
- FOOTNOTES:
- SELF-KNOWLEDGE[487:2]
- FOOTNOTES:
- LINENOTES:
- FORBEARANCE[488:1]
- FOOTNOTES:
- LINENOTES:
- LOVE'S APPARITION AND EVANISHMENT[488:3]
- AN ALLEGORIC ROMANCE
- FOOTNOTES:
- LINENOTES:
- TO THE YOUNG ARTIST[490:1]
- KAYSER OF KASERWERTH
- FOOTNOTES:
- MY BAPTISMAL BIRTH-DAY[490:2]
- FOOTNOTES:
- LINENOTES:
- EPITAPH[491:1]
- FOOTNOTES:
- LINENOTES:
- THE COMPLETE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
- INCLUDING
- POEMS AND VERSIONS OF POEMS NOW PUBLISHED FOR THE FIRST TIME
- EDITED
- WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
- ERNEST HARTLEY COLERIDGE
- OXFORD AT THE CLARENDON PRESS 1912
- CONTENTS OF VOL. II
- DRAMATIC WORKS
- THE FALL OF ROBESPIERRE[495:1]
- AN HISTORIC DRAMA
- FOOTNOTES:
- ACT I
- Scene—The Thuilleries.
- FOOTNOTES:
- ACT II
- Scene—The Convention.
- ACT III
- Scene continues.
- OSORIO
- A TRAGEDY[518:1]
- DRAMATIS PERSONAE
- FOOTNOTES:
- LINENOTES:
- ACT THE FIRST[519:1]
- FOOTNOTES:
- LINENOTES:
- ACT THE SECOND
- LINENOTES:
- Scene II.
- ACT THE THIRD
- FOOTNOTES:
- LINENOTES:
- ACT III.
- ACT THE FOURTH
- FOOTNOTES:
- LINENOTES:
- Scene II
- Scene III
- ACT THE FIFTH
- Scene the First.—The Sea Shore.
- Scene.—A Dungeon.
- FOOTNOTES:
- LINENOTES:
- THE PICCOLOMINI[598:1]
- OR, THE FIRST PART OF WALLENSTEIN
- A DRAMA TRANSLATED FROM THE GERMAN OF SCHILLER
- PREFACE TO THE FIRST EDITION
- FOOTNOTES:
- THE PICCOLOMINI[600:1]
- ACT I
- Scene I
- FOOTNOTES:
- LINENOTES:
- Scene II
- FOOTNOTES:
- LINENOTES:
- Scene III
- LINENOTES:
- Scene IV
- FOOTNOTES:
- LINENOTES:
- Scene V
- LINENOTES:
- Scene VI
- LINENOTES:
- Scene VII
- LINENOTES:
- Scene VIII
- LINENOTES:
- Scene IX
- LINENOTES:
- Scene X
- FOOTNOTES:
- LINENOTES:
- Scene XI
- FOOTNOTES:
- LINENOTES:
- Scene XII
- FOOTNOTES:
- LINENOTES:
- ACT II
- Scene I
- LINENOTES:
- Scene II
- FOOTNOTES:
- LINENOTES:
- Scene III
- FOOTNOTES:
- LINENOTES:
- Scene IV
- FOOTNOTES:
- LINENOTES:
- Scene V
- FOOTNOTES:
- LINENOTES:
- Scene VI
- FOOTNOTES:
- LINENOTES:
- Scene VII
- FOOTNOTES:
- LINENOTES:
- Scene VIII
- LINENOTES:
- Scene IX
- Scene X
- Scene XI
- LINENOTES:
- Scene XII
- FOOTNOTES:
- LINENOTES:
- Scene XIII
- LINENOTES:
- Scene XIV
- LINENOTES:
- ACT III
- Scene I
- LINENOTES:
- Scene II
- LINENOTES:
- Scene III
- LINENOTES:
- ACT IV
- Scene I
- LINENOTES:
- Scene II
- Scene III
- LINENOTES:
- Scene IV
- LINENOTES:
- Scene V
- FOOTNOTES:
- LINENOTES:
- Scene VI
- LINENOTES:
- Scene VII
- FOOTNOTES:
- LINENOTES:
- ACT V
- Scene I
- LINENOTES:
- Scene II
- LINENOTES:
- Scene III
- LINENOTES:
- Scene IV
- LINENOTES:
- Scene V
- FOOTNOTES:
- LINENOTES:
- Scene VI
- LINENOTES:
- THE DEATH OF WALLENSTEIN
- A TRAGEDY IN FIVE ACTS
- PREFACE OF THE TRANSLATOR TO THE FIRST EDITION
- LINENOTES:
- DRAMATIS PERSONAE
- THE DEATH OF WALLENSTEIN
- ACT I
- Scene I
- LINENOTES:
- Scene II
- LINENOTES:
- Scene III
- LINENOTES:
- Scene IV
- LINENOTES:
- Scene V
- Scene VI
- LINENOTES:
- Scene VII
- LINENOTES:
- Scene VIII
- LINENOTES:
- Scene IX
- Scene X
- LINENOTES:
- Scene XI
- Scene XII
- LINENOTES:
- ACT II
- Scene I
- LINENOTES:
- Scene II
- Scene III
- FOOTNOTES:
- LINENOTES:
- Scene IV
- Scene V
- LINENOTES:
- Scene VI
- FOOTNOTES:
- LINENOTES:
- Scene VII
- Scene VIII
- LINENOTES:
- Scene IX
- LINENOTES:
- Scene X
- Scene XI
- LINENOTES:
- ACT III
- Scene I
- LINENOTES:
- Scene II
- LINENOTES:
- Scene III
- LINENOTES:
- Scene IV
- Scene V
- LINENOTES:
- Scene VI
- LINENOTES:
- Scene VII
- LINENOTES:
- Scene VIII
- FOOTNOTES:
- LINENOTES:
- Scene IX
- LINENOTES:
- ACT IV
- Scene I
- Scene II
- LINENOTES:
- Scene III
- LINENOTES:
- Scene IV
- LINENOTES:
- Scene V
- LINENOTES:
- Scene VI
- FOOTNOTES:
- LINENOTES:
- ACT V
- Scene I
- FOOTNOTES:
- LINENOTES:
- Scene II
- Scene III
- LINENOTES:
- Scene IV
- LINENOTES:
- Scene V
- Scene VI
- Scene VII
- LINENOTES:
- Scene VIII
- LINENOTES:
- Scene IX
- LINENOTES:
- Scene X
- LINENOTES:
- REMORSE[812:1]
- PREFACE
- FOOTNOTES:
- PROLOGUE
- FOOTNOTES:
- EPILOGUE
- REMORSE[819:1]
- A TRAGEDY IN FIVE ACTS[819:2]
- DRAMATIS PERSONAE
- FOOTNOTES:
- ACT I
- Scene I
- FOOTNOTES:
- LINENOTES:
- Scene II
- FOOTNOTES:
- LINENOTES:
- ACT II
- Scene I
- LINENOTES:
- Scene II
- FOOTNOTES:
- LINENOTES:
- ACT III
- Scene I
- LINENOTES:
- Scene II
- FOOTNOTES:
- LINENOTES:
- ACT IV
- Scene I
- FOOTNOTES:
- LINENOTES:
- Scene II
- FOOTNOTES:
- LINENOTES:
- Scene III
- LINENOTES:
- ACT V
- Scene I
- LINENOTES:
- APPENDIX
- ZAPOLYA[883:1]
- A CHRISTMAS TALE IN TWO PARTS[883:2]
- ADVERTISEMENT
- FOOTNOTES:
- LINENOTES:
- PART I THE PRELUDE, ENTITLED 'THE USURPER'S FORTUNE'
- CHARACTERS
- Scene I
- LINENOTES:
- Part II THE SEQUEL, ENTITLED 'THE USURPER'S FATE'
- ADDITIONAL CHARACTERS
- USURPATION ENDED; OR, SHE COMES AGAIN
- ACT I
- Scene I
- FOOTNOTES:
- LINENOTES:
- ACT II
- Scene I
- LINENOTES:
- ACT III
- Scene I
- LINENOTES:
- ACT IV
- Scene I
- LINENOTES:
- EPIGRAMS[951:1]
- 1 EPIGRAM
- AN APOLOGY FOR SPENCERS
- 2 EPIGRAM
- ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE
- 3 EPIGRAM
- ON AN AMOROUS DOCTOR
- 4 EPIGRAM
- 5 ON DEPUTY ——
- 6 [EPIGRAM]
- 7 ON MR. ROSS, USUALLY COGNOMINATED NOSY[953:1]
- 8 [EPIGRAM]
- 9 [EPIGRAM]
- 10
- [ANOTHER VERSION]
- 11 ON AN INSIGNIFICANT[954:1]
- 12 [EPIGRAM]
- 13 ON A SLANDERER
- 14 LINES IN A GERMAN STUDENT'S ALBUM
- 15 [HIPPONA]
- 16 ON A READER OF HIS OWN VERSES
- 17 ON A REPORT OF A MINISTER'S DEATH WRITTEN IN GERMANY
- LINENOTES:
- 18 [DEAR BROTHER JEM]
- 19 JOB'S LUCK
- LINENOTES:
- 20 ON THE SICKNESS OF A GREAT MINISTER
- 21 [TO A VIRTUOUS OECONOMIST]
- Wernicke
- 22 [L'ENFANT PRODIGUE]
- 23 ON SIR RUBICUND NASO
- A COURT ALDERMAN AND WHISPERER OF SECRETS
- 24 TO MR. PYE
- 25 [NINETY-EIGHT]
- 26 OCCASIONED BY THE FORMER
- LINENOTES:
- 27 [A LIAR BY PROFESSION]
- 28 TO A PROUD PARENT
- 29 RUFA
- 30 ON A VOLUNTEER SINGER
- 31 OCCASIONED BY THE LAST
- LINENOTES:
- 32 EPITAPH ON MAJOR DIEMAN
- 33 ON THE ABOVE
- 34 EPITAPH
- ON A BAD MAN
- ANOTHER VERSION
- Obiit Saturday, Sept. 10, 1830.
- 35 TO A CERTAIN MODERN NARCISSUS
- 36 TO A CRITIC
- WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE.
- 37 ALWAYS AUDIBLE
- 38 PONDERE NON NUMERO
- 39 THE COMPLIMENT QUALIFIED
- 40
- 41
- 42
- 43
- 44 TO ONE WHO PUBLISHED[964:1] IN PRINT
- WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE
- 45
- 46
- 47 TO A VAIN YOUNG LADY
- 48 A HINT TO PREMIERS AND FIRST CONSULS
- FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS
- 49
- 50 FOR A HOUSE-DOG'S COLLAR
- 51
- 52 EPITAPH ON A MERCENARY MISER
- 53 A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND
- 54 Μωροσοφία OR WISDOM IN FOLLY
- 55
- 56 FROM AN OLD GERMAN POET
- 57 ON THE CURIOUS CIRCUMSTANCE,
- THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE
- 58 SPOTS IN THE SUN
- 59
- 60 TO MY CANDLE
- THE FAREWELL EPIGRAM
- 61 EPITAPH
- ON HIMSELF
- 62 THE TASTE OF THE TIMES
- 63 ON PITT AND FOX
- 64
- 65 COMPARATIVE BREVITY OF GREEK AND ENGLISH
- 66 EPIGRAM ON THE SECRECY OF A CERTAIN LADY
- 67 MOTTO
- FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814.
- ANOTHER VERSION
- 68
- 69 MODERN CRITICS
- 70 WRITTEN IN AN ALBUM
- 71 TO A LADY WHO REQUESTED ME TO WRITE A POEM UPON NOTHING
- 72 SENTIMENTAL
- 73
- 74 AUTHORS AND PUBLISHERS
- 75 THE ALTERNATIVE
- 76
- 77 INSCRIPTION FOR A TIME-PIECE
- 78 ON THE MOST VERACIOUS ANECDOTIST, AND SMALL-TALK MAN, THOMAS HILL, ESQ.[974:1]
- 79
- 80 EPITAPH OF THE PRESENT YEAR ON THE MONUMENT OF THOMAS FULLER
- FOOTNOTES:
- JEUX D'ESPRIT
- 1
- MY GODMOTHER'S BEARD[976:1]
- LINENOTES:
- 2 LINES TO THOMAS POOLE
- 3 TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR.
- 4 TO T. POOLE
- AN INVITATION
- 5 SONG
- TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE.
- 6 DRINKING versus THINKING
- OR, A SONG AGAINST THE NEW PHILOSOPHY
- 7 THE WILLS OF THE WISP
- A SAPPHIC
- 8 TO CAPTAIN FINDLAY
- 9 ON DONNE'S POEM 'TO A FLEA'
- 10 [EX LIBRIS S. T. C.][981:1]
- 11 ΕΓΩΕΝΚΑΙΠΑΝ
- 12 THE BRIDGE STREET COMMITTEE
- 13 NONSENSE SAPPHICS[983:1]
- 14 TO SUSAN STEELE ON RECEIVING THE PURSE
- EXTRUMPERY LINES
- 15 ASSOCIATION OF IDEAS[984:1]
- 16 VERSES TRIVOCULAR
- 17 CHOLERA CURED BEFORE-HAND
- LINENOTES:
- 18 TO BABY BATES
- 19 TO A CHILD[987:1]
- FOOTNOTES:
- FRAGMENTS FROM A NOTEBOOK[988:1]
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- LINENOTES:
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17 A DUNGEON
- LINENOTES:
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- LINENOTES:
- 35
- 36
- LINENOTES:
- 37
- 38
- 39 HYMNS—MOON
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- FOOTNOTES:
- FRAGMENTS[996:1]
- 1
- 2
- 3 OVER MY COTTAGE
- 4
- 5
- 6
- 7
- 8 [THE NIGHT-MARE DEATH IN LIFE]
- 9
- 10 A BECK IN WINTER[998:1]
- 11
- 12
- 13
- 14
- 15
- 16
- 17 [NOT A CRITIC—BUT A JUDGE]
- 18
- 19 [DE PROFUNDIS CLAMAVI]
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29 FRAGMENT OF AN ODE ON NAPOLEON
- 30
- 31
- Another Version
- 32
- 33 EPIGRAM ON KEPLER
- FROM THE GERMAN
- LINENOTES:
- 34
- 35
- 36
- 37
- 38
- 39
- 40 [ARS POETICA]
- 41 TRANSLATION OF THE FIRST STROPHE OF PINDAR'S SECOND OLYMPIC
- 42
- 43 TRANSLATION OF A FRAGMENT OF HERACLITUS[1007:1]
- 44
- 45 IMITATED FROM ARISTOPHANES
- 46
- 47 TO EDWARD IRVING
- 48 [LUTHER—DE DÆMONIBUS]
- 49 THE NETHERLANDS
- 50 ELISA[1009:1]
- TRANSLATED FROM CLAUDIAN
- ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
- 51 PROFUSE KINDNESS
- 52
- 53 NAPOLEON
- 54
- 55
- 56
- 57
- 58
- 59
- 60 THE THREE SORTS OF FRIENDS
- 61
- 62 BO-PEEP AND I SPY—
- 63 A SIMILE
- 64 BARON GUELPH OF ADELSTAN. A FRAGMENT
- FOOTNOTES:
- METRICAL EXPERIMENTS[1014:1]
- 1 AN EXPERIMENT FOR A METRE
- 2 TROCHAICS
- 3 THE PROPER UNMODIFIED DOCHMIUS
- 4 IAMBICS
- 5 NONSENSE
- 6 A PLAINTIVE MOVEMENT
- [11´ 4` 11´ 4` | 10´ 6` 4´ 10`]
- 7 AN EXPERIMENT FOR A METRE
- 8 NONSENSE VERSES
- [AN EXPERIMENT FOR A METRE]
- 9 NONSENSE
- [AN EXPERIMENT FOR A METRE]
- 10 EXPERIMENTS IN METRE
- 11
- 12
- 13 A METRICAL ACCIDENT
- NOTES BY PROFESSOR SAINTSBURY
- FOOTNOTES:
- APPENDIX I
- FIRST DRAFTS, EARLY VERSIONS, ETC.
- A
- Effusion 35
- Effusion, p. 96. (1797.)
- FOOTNOTES:
- LINENOTES:
- B RECOLLECTION[1023:1]
- FOOTNOTES:
- C THE DESTINY OF NATIONS
- [Draft I]
- [Draft II]
- LINENOTES:
- [Draft III]
- D Passages in Southey's Joan of Arc (First Edition, 1796) contributed by S. T. Coleridge[1027:1].
- FOOTNOTES:
- LINENOTES:
- E
- THE RIME OF THE ANCYENT MARINERE,[1030:1] IN SEVEN PARTS.
- I.
- II.
- III.
- IV.
- V.
- VI.
- VII.
- FOOTNOTES:
- LINENOTES:
- F
- THE RAVEN
- G
- LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT[1049:1]
- (1)
- (2)
- LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
- (3)
- FOOTNOTES:
- H
- INTRODUCTION TO THE TALE OF THE DARK LADIE[1052:1]
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- FOOTNOTES:
- LINENOTES:
- I THE TRIUMPH OF LOYALTY.[1060:1]
- AN HISTORIC DRAMA IN FIVE ACTS.
- FOOTNOTES:
- DRAMATIS PERSONÆ.
- THE TRIUMPH OF LOYALTY
- ACT I
- LINENOTES:
- J
- CHAMOUNY; THE HOUR BEFORE SUNRISE
- A Hymn
- K
- DEJECTION: AN ODE[1076:1]
- LINENOTES:
- DEJECTION:
- AN ODE, WRITTEN APRIL 4, 1802. I
- II
- III
- IV
- VIII
- IX
- FOOTNOTES:
- LINENOTES:
- L
- TO W. WORDSWORTH[1081:1]
- FOOTNOTES:
- LINENOTES:
- M
- YOUTH AND AGE
- MS. I
- Aria Spontanea
- MS. II 1
- 2
- N
- LOVE'S APPARITION AND EVANISHMENT[1087:1]
- [FIRST DRAFT]
- FOOTNOTES:
- O
- TWO VERSIONS OF THE EPITAPH[1088:1]
- 1
- 2
- FOOTNOTES:
- P
- [Habent sua Fata—Poetae][1089:2]
- FOOTNOTES:
- Q
- TO JOHN THELWALL[1090:1]
- FOOTNOTES:
- R[1090:2]
- FOOTNOTES:
- APPENDIX II ALLEGORIC VISION[1091:1]
- FOOTNOTES:
- LINENOTES:
- APPENDIX III
- APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
- FOOTNOTES:
- LINENOTES:
- APPENDIX IV
- PROSE VERSIONS OF POEMS, ETC.
- A
- QUESTIONS AND ANSWERS IN THE COURT OF LOVE
- B
- PROSE VERSION OF GLYCINE'S SONG IN ZAPOLYA
- 1
- 2
- 3
- 4
- C
- FOOTNOTES:
- D
- E
- DEDICATION[1113:1]
- Ode on the Departing Year, 1796, pp. [3]-4.
- To Thomas Poole, of Stowey.
- FOOTNOTES:
- F
- Preface to the MS. of Osorio.
- APPENDIX V
- ADAPTATIONS
- 1
- FULKE GREVILLE. LORD BROOKE
- Motto To 'A Lay Sermon', 1817
- 2
- Sonnet XCIV [Coelica]
- 3
- Of Humane Learning Stanza CLX
- 4
- SIR JOHN DAVIES
- On the Immortality of the Soul
- 5
- DONNE
- Eclogue. 'On Unworthy Wisdom'
- 6
- Letter To Sir Henry Goodyere
- 7
- BEN JONSON
- A Nymph's Passion
- Mutual Passion Altered and Modernized From an Old Poet
- 8
- Underwoods
- No. VI. The Hour-Glass.
- The Hour-Glass
- 9
- The Poetaster. Act I, Scene 1.
- 10
- SAMUEL DANIEL
- Epistle To Sir Thomas Egerton, Knight
- 11
- Musophilus
- Stanza cxlvii.
- 12
- Stanzas xxvii, xxix, xxx.
- 13
- CHRISTOPHER HARVEY
- The Synagogue THE NATIVITY OR CHRISTMAS DAY.
- 14
- MARK AKENSIDE
- Blank Verse Inscriptions No. III.
- 15
- W. L. BOWLES
- 16
- NAPOLEON
- APPENDIX VI
- ORIGINALS OF TRANSLATIONS
- A
- MILESISCHES MÄHRCHEN
- B
- SCHILLER
- Der Epische Hexameter
- Das Distichon
- C
- STOLBERG
- On A Cataract
- D
- STOLBERG
- Bei Wilhelm Tells Geburtsstätte im Kanton Uri
- E
- SCHILLER
- Dithyrambe
- F
- GOETHE
- G
- FRANÇOIS-ANTOINE-EUGÈNE DE PLANARD
- 'Batelier, dit Lisette'
- H
- Des Knaben Wunderhorn
- I
- STOLBERG
- J
- LESSING
- Die Namen.
- K
- STOLBERG
- Hymne an die Erde.
- L
- FRIEDERIKE BRUN
- Chamouny beym Sonnenaufgange
- M
- Alla sua Amica
- N
- O
- THE MADMAN AND THE LETHARGIST
- P
- MADRIGALI DEL SIGNOR CAVALIER GUARINI
- DIALOGO
- Q
- STOLBERG
- BIBLIOGRAPHY
- OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1794-1834 I
- II
- PREFACE
- Notes attached to a first draft of the Preface to the First Edition [MS. R]
- To Earl Stanhope
- CONTENTS
- III
- [A Sheet Of Sonnets.]
- [INTRODUCTION]
- [SONNETS]
- IV
- V
- CONTENTS
- PREFACE TO THE FIRST EDITION
- PREFACE TO THE SECOND EDITION
- INTRODUCTION TO THE SONNETS
- ADVERTISEMENT
- VI
- VII
- VIII
- IX
- X
- XI
- XII
- XIII
- XIV
- PREFACE
- CONTENTS
- XV קינת ישרון
- XVI
- XVII
- XVIII
- XIX
- XX
- PREFACE
- CONTENTS
- XXI
- PREFACE
- XXII
- XXIII
- XXIV
- XXV
- XXVI
- CONTENTS
- XXVII
- XXVIII
- XXIX
- XXX
- XXXI
- XXXII
- XXXIII
- XXXIV
- ADVERTISEMENT
- PREFACE TO THE PRESENT EDITION [1852]
- XXXV
- CONTENTS
- XXXVI
- XXXVII
- XXXVIII
- XXXIX
- ADVERTISEMENT
- APPENDIX
- XL
- XLI
- XLII
- XLIII
- XLIV
- XLV
- XLVI
- XLVII
- XLVIII
- XLIX
- L
- LI
- LII
- LIII
- LIV
- FOOTNOTES:
- BIBLIOGRAPHICAL APPENDIX
- No. I
- POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS
- No. II
- EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS
- No. III
- POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS
- No. IV
- INDEX OF FIRST LINES
- TRANSCRIBER'S NOTES:
- [ii]
- [iii]
- [iv]
- [v]
- [vi]
- [vii]
- [viii]
- [ix]
- [x]
- [xi]
- [xii]
- [xiii]
- [xiv]
- [xv]
- [xvi]
- [xvii]
- [xviii]
- [xix]
- [xx]
- [xxi]
- [xxii]
- [xxiii]
- [xxiv]
- [xxv]
- [xxvi]
- [xxvii]
- [xxviii]
- [1]
- [16]
- [21]
- [22]
- [29]
- [35]
- [45]
- [49]
- [50]
- [51]
- [55]
- [56]
- [68]
- [85]
- [87]
- [89]
- [91]
- [93]
- [152]
- [155]
- [160]
- [169]
- [176]
- [178]
- [182]
- [185]
- [186]
- [189]
- [193]
- [194]
- [195]
- [198]
- [203]
- [208]
- [209]
- [214]
- [215]
- [237]
- [243]
- [248]
- [252]
- [253]
- [264]
- [268]
- [269]
- [285]
- [286]
- [287]
- [288]
- [289]
- [290]
- [291]
- [292]
- [293]
- [296]
- [297]
- [299]
- [304]
- [306]
- [307]
- [308]
- [313]
- [314]
- [315]
- [317]
- [324]
- [326]
- [327]
- [341]
- [345]
- [347]
- [353]
- [356]
- [359]
- [369]
- [381]
- [385]
- [388]
- [389]
- [395]
- [401]
- [409]
- [413]
- [417]
- [419]
- [421]
- [429]
- [432]
- [433]
- [436]
- [439]
- [448]
- [454]
- [457]
- [462]
- [463]
- [464]
- [465]
- [466]
- [478]
- [483]
- [484]
- [486]
- [487]
- [488]
- [490]
- [i]
- [ii]
- [iii]
- [iv]
- [v]
- [vi]
- [vii]
- [viii]
- [493]
- [494]
- [495]
- [496]
- [499]
- [501]
- [512]
- [513]
- [518]
- [519]
- [535]
- [550]
- [571]
- [579]
- [583]
- [598]
- [599]
- [600]
- [627]
- [631]
- [639]
- [653]
- [654]
- [663]
- [664]
- [665]
- [666]
- [667]
- [668]
- [669]
- [670]
- [671]
- [672]
- [687]
- [690]
- [698]
- [714]
- [720]
- [721]
- [724]
- [725]
- [726]
- [743]
- [746]
- [752]
- [763]
- [779]
- [791]
- [793]
- [794]
- [806]
- [808]
- [812]
- [813]
- [814]
- [816]
- [819]
- [820]
- [841]
- [852]
- [868]
- [884]
- [898]
- [901]
- [943]
- [951]
- [952]
- [953]
- [954]
- [955]
- [957]
- [959]
- [960]
- [961]
- [962]
- [963]
- [964]
- [965]
- [966]
- [967]
- [968]
- [971]
- [972]
- [973]
- [974]
- [975]
- [976]
- [978]
- [984]
- [987]
- [988]
- [989]
- [990]
- [991]
- [992]
- [993]
- [994]
- [995]
- [996]
- [997]
- [998]
- [1000]
- [1001]
- [1002]
- [1003]
- [1008]
- [1009]
- [1010]
- [1011]
- [1013]
- [1014]
- [1015]
- [1016]
- [1017]
- [1018]
- [1020]
- [1021]
- [1026]
- [1027]
- [1029]
- [1053]
- [1054]
- [1056]
- [1057]
- [1058]
- [1059]
- [1060]
- [1061]
- [1062]
- [1063]
- [1064]
- [1065]
- [1066]
- [1067]
- [1068]
- [1073]
- [1074]
- [1076]
- [1078]
- [1085]
- [1086]
- [1090]
- [1091]
- [1092]
- [1093]
- [1094]
- [1095]
- [1096]
- [1097]
- [1098]
- [1099]
- [1100]
- [1101]
- [1102]
- [1103]
- [1104]
- [1105]
- [1106]
- [1107]
- [1108]
- [1109]
- [1110]
- [1111]
- [1112]
- [1113]
- [1114]
- [1115]
- [1116]
- [1118]
- [1120]
- [1121]
- [1122]
- [1123]
- [1124]
- [1125]
- [1126]
- [1128]
- [1129]
- [1133]
- [1134]
- [1135]
- [1136]
- [1137]
- [1138]
- [1139]
- [1140]
- [1141]
- [1142]
- [1143]
- [1144]
- [1145]
- [1146]
- [1147]
- [1148]
- [1149]
- [1150]
- [1151]
- [1152]
- [1153]
- [1154]
- [1155]
- [1156]
- [1157]
- [1158]
- [1159]
- [1160]
- [1161]
- [1162]
- [1163]
- [1164]
- [1165]
- [1166]
- [1167]
- [1168]
- [1169]
- [1170]
- [1171]
- [1172]
- [1173]
- [1174]
- [1175]
- [1176]
- [1177]
- [1178]
- [1179]
- [1180]
- [1181]
- [1182]
- [1183]
- [1184]
- [1185]
- [1186]
- [1187]
- [1188]
- [1189]
- [1190]
- [1191]
- [1192]
- [1193]
- [1194]
- [1195]
- [1196]
- [1197]
- [1198]
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