
Shakespeare at the Globe, 1599-1609
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About This Book
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and repu...
Chapters (304)(click to expand)
- SHAKESPEARE AT THE GLOBE 1599–1609
- ACKNOWLEDGMENTS
- CONTENTS
- INTRODUCTION
- Chapter One THE REPERTORY
- Chapter Two THE DRAMATURGY
- I. PREMISES FOR A STUDY OF SHAKESPEAREAN DRAMATIC FORM
- II. FORM AND FUNCTION IN THE FINALES OF THE GLOBE PLAYS
- III. THE NATURE AND FORM OF THE “CLIMAX” IN THE GLOBE PLAYS
- IV. STRUCTURAL PATTERNS IN THE DRAMATIC NARRATIVE
- V. SCENE STRUCTURE IN SHAKESPEARE
- VI. DRAMATIC UNITY IN THE GLOBE PLAYS
- Chapter Three THE STAGE
- I. LOCALIZATION IN SHAKESPEARE’S GLOBE PLAYS
- II. THE PARTS OF THE STAGE
- III. THE DESIGN OF THE STAGE
- Chapter Four THE ACTING
- I. THE RELATION OF TUDOR RHETORIC TO ELIZABETHAN ACTING
- II. THE INFLUENCE OF THEATRICAL TRADITIONS UPON ELIZABETHAN ACTING
- III. THE EFFECT OF PLAYING CONDITIONS UPON ELIZABETHAN ACTING
- IV. ACTING AND THE ELIZABETHAN VIEW OF HUMAN BEHAVIOR
- a. Decorum
- b. Motivation
- c. Passion
- V. THE EFFECT OF THE GLOBE PLAYS UPON THE ACTING
- Chapter Five THE STAGING
- I. STAGE ILLUSION AT THE GLOBE PLAYHOUSE
- II. STAGE GROUPING AT THE GLOBE PLAYHOUSE
- III. ACTORS’ ENTRANCES UPON THE GLOBE STAGE
- IV. RECURRENT PATTERNS OF STAGING
- V. THE STAGING OF THE FINALES
- Chapter Six THE STYLE
- APPENDIX A
- APPENDIX B
- APPENDIX C
- NOTES
- INDEX TO THE GLOBE PLAYS
- GENERAL INDEX
- [Pg v]
- [vi]
- [vii]
- [viii]
- [ix]
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- [Pg 1]
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