Moments of Vision and Miscellaneous Verses
by Thomas Hardy
★3.6/5
Listen FreeFree AI audiobook with natural voice. No signup required.
About This Book
Leather Binding on Spine and Corners with Golden leaf printing on spine. This book is printed in black & white, Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Reprinted in 2022 with the help of original edition published long back 1910. As this book is reprinted from a very old book, there could be some missing or flawed pages. If it is multi vo Resized as per current standards. We expect that you will understand our compulsion with such books. 284 Moments of vision and...
Chapters (588)
- MOMENTS OF VISION AND MISCELLANEOUS VERSES
- CONTENTS
- MOMENTS OF VISION
- THE VOICE OF THINGS
- “WHY BE AT PAINS?” (Wooer’s Song)
- “WE SAT AT THE WINDOW” (Bournemouth, 1875)
- AFTERNOON SERVICE AT MELLSTOCK (Circa 1850)
- AT THE WICKET-GATE
- IN A MUSEUM
- APOSTROPHE TO AN OLD PSALM TUNE
- AT THE WORD “FAREWELL”
- FIRST SIGHT OF HER AND AFTER
- THE RIVAL
- HEREDITY
- “YOU WERE THE SORT THAT MEN FORGET”
- SHE, I, AND THEY
- NEAR LANIVET, 1872
- JOYS OF MEMORY
- TO THE MOON
- COPYING ARCHITECTURE IN AN OLD MINSTER (Wimborne)
- TO SHAKESPEARE AFTER THREE HUNDRED YEARS
- QUID HIC AGIS?
- ON A MIDSUMMER EVE
- TIMING HER (Written to an old folk-tune)
- BEFORE KNOWLEDGE
- THE BLINDED BIRD
- “THE WIND BLEW WORDS”
- THE FADED FACE
- THE RIDDLE
- THE DUEL
- AT MAYFAIR LODGINGS
- TO MY FATHER’S VIOLIN
- THE STATUE OF LIBERTY
- THE BACKGROUND AND THE FIGURE (Lover’s Ditty)
- THE CHANGE
- SITTING ON THE BRIDGE (Echo of an old song)
- THE YOUNG CHURCHWARDEN
- “I TRAVEL AS A PHANTOM NOW”
- LINES TO A MOVEMENT IN MOZART’S E-FLAT SYMPHONY
- “IN THE SEVENTIES”
- THE PEDIGREE
- THIS HEART A WOMAN’S DREAM
- WHERE THEY LIVED
- THE OCCULTATION
- LIFE LAUGHS ONWARD
- THE PEACE-OFFERING
- “SOMETHING TAPPED”
- THE WOUND
- A MERRYMAKING IN QUESTION
- “I SAID AND SANG HER EXCELLENCE” (Fickle Lover’s Song)
- A JANUARY NIGHT (1879)
- A KISS
- THE ANNOUNCEMENT
- THE OXEN
- THE TRESSES
- THE PHOTOGRAPH
- ON A HEATH
- AN ANNIVERSARY
- “BY THE RUNIC STONE” (Two who became a story)
- THE PINK FROCK
- TRANSFORMATIONS
- IN HER PRECINCTS
- THE LAST SIGNAL (Oct. 11, 1886) A MEMORY OF WILLIAM BARNES
- THE HOUSE OF SILENCE
- GREAT THINGS
- THE CHIMES
- THE FIGURE IN THE SCENE
- “WHY DID I SKETCH”
- CONJECTURE
- THE BLOW
- LOVE THE MONOPOLIST (Young Lover’s Reverie)
- AT MIDDLE-FIELD GATE IN FEBRUARY
- THE YOUTH WHO CARRIED A LIGHT
- THE HEAD ABOVE THE FOG
- OVERLOOKING THE RIVER STOUR
- THE MUSICAL BOX
- ON STURMINSTER FOOT-BRIDGE (ONOMATOPOEIC)
- ROYAL SPONSORS
- OLD FURNITURE
- A THOUGHT IN TWO MOODS
- THE LAST PERFORMANCE
- “YOU ON THE TOWER”
- THE INTERLOPER
- LOGS ON THE HEARTH A MEMORY OF A SISTER
- THE SUNSHADE
- THE AGEING HOUSE
- THE CAGED GOLDFINCH
- AT MADAME TUSSAUD’S IN VICTORIAN YEARS
- THE BALLET
- THE FIVE STUDENTS
- THE WIND’S PROPHECY
- DURING WIND AND RAIN
- HE PREFERS HER EARTHLY
- THE DOLLS
- MOLLY GONE
- A BACKWARD SPRING
- LOOKING ACROSS
- AT A SEASIDE TOWN IN 1869 (Young Lover’s Reverie)
- THE GLIMPSE
- THE PEDESTRIAN AN INCIDENT OF 1883
- “WHO’S IN THE NEXT ROOM?”
- AT A COUNTRY FAIR
- THE MEMORIAL BRASS: 186–
- HER LOVE-BIRDS
- PAYING CALLS
- THE UPPER BIRCH-LEAVES
- “IT NEVER LOOKS LIKE SUMMER”
- EVERYTHING COMES
- THE MAN WITH A PAST
- HE FEARS HIS GOOD FORTUNE
- HE WONDERS ABOUT HIMSELF
- JUBILATE
- HE REVISITS HIS FIRST SCHOOL
- “I THOUGHT, MY HEART”
- FRAGMENT
- MIDNIGHT ON THE GREAT WESTERN
- HONEYMOON TIME AT AN INN
- THE ROBIN
- “I ROSE AND WENT TO ROU’TOR TOWN” (She, alone)
- THE NETTLES
- IN A WAITING-ROOM
- THE CLOCK-WINDER
- OLD EXCURSIONS
- THE MASKED FACE
- IN A WHISPERING GALLERY
- THE SOMETHING THAT SAVED HIM
- THE ENEMY’S PORTRAIT
- IMAGININGS
- ON THE DOORSTEP
- SIGNS AND TOKENS
- PATHS OF FORMER TIME
- THE CLOCK OF THE YEARS
- AT THE PIANO
- THE SHADOW ON THE STONE
- IN THE GARDEN (M. H.)
- THE TREE AND THE LADY
- AN UPBRAIDING
- THE YOUNG GLASS-STAINER
- LOOKING AT A PICTURE ON AN ANNIVERSARY
- THE CHOIRMASTER’S BURIAL
- THE MAN WHO FORGOT
- WHILE DRAWING IN A CHURCH-YARD
- “FOR LIFE I HAD NEVER CARED GREATLY”
- POEMS OF WAR AND PATRIOTISM
- “MEN WHO MARCH AWAY” (SONG OF THE SOLDIERS)
- HIS COUNTRY
- ENGLAND TO GERMANY IN 1914
- ON THE BELGIAN EXPATRIATION
- AN APPEAL TO AMERICA ON BEHALF OF THE BELGIAN DESTITUTE
- THE PITY OF IT
- IN TIME OF WARS AND TUMULTS
- IN TIME OF “THE BREAKING OF NATIONS” [235]
- CRY OF THE HOMELESS AFTER THE PRUSSIAN INVASION OF BELGIUM
- BEFORE MARCHING AND AFTER (in Memoriam F. W. G.)
- “OFTEN WHEN WARRING”
- THEN AND NOW
- A CALL TO NATIONAL SERVICE
- THE DEAD AND THE LIVING ONE
- A NEW YEAR’S EVE IN WAR TIME
- “I MET A MAN”
- “I LOOKED UP FROM MY WRITING”
- FINALE
- THE COMING OF THE END
- AFTERWARDS
- FOOTNOTES
- p. iv
- p. v
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 11
- 13
- 14
- 15
- 16
- 17
- 18
- 20
- 21
- 22
- p. vi
- 24
- 27
- 30
- 31
- 34
- 35
- 36
- 37
- 38
- 39
- 42
- 44
- 47
- 50
- 51
- 54
- 56
- 57
- 58
- 60
- 62
- 65
- 68
- 69
- 70
- 71
- p. vii
- 72
- 73
- 74
- 75
- 77
- 78
- 79
- 80
- 81
- 82
- 84
- 85
- 87
- 88
- 89
- 90
- 91
- 93
- 95
- 97
- 98
- 99
- 100
- 101
- 103
- 105
- p. viii
- 106
- 108
- 109
- 111
- 113
- 114
- 116
- 118
- 119
- 120
- 122
- 124
- 126
- 128
- 129
- 130
- 132
- 133
- 135
- 137
- 139
- 140
- 141
- 143
- 144
- 146
- p. ix
- 149
- 151
- 153
- 155
- 156
- 158
- 160
- 161
- 162
- 163
- 164
- 166
- 167
- 168
- 171
- 173
- 174
- 176
- 177
- 181
- 183
- 184
- 185
- 187
- 189
- 191
- p. x
- 192
- 193
- 195
- 197
- 198
- 199
- 201
- 203
- 205
- 206
- 208
- 209
- 211
- 212
- 213
- 215
- 217
- 219
- 221
- 225
- 227
- 229
- 230
- p. xi
- 231
- 232
- 233
- 234
- 235
- 237
- 239
- 240
- 242
- 243
- 246
- 248
- 250
- 255
- 257
- p. 1
- p. 2
- p. 3
- p. 4
- p. 5
- p. 6
- p. 7
- p. 8
- p. 9
- p. 10
- p. 11
- p. 12
- p. 13
- p. 14
- p. 15
- p. 16
- p. 17
- p. 18
- p. 19
- p. 20
- p. 21
- p. 22
- p. 23
- p. 24
- p. 25
- p. 26
- p. 27
- p. 28
- p. 29
- p. 30
- p. 31
- p. 32
- p. 33
- p. 34
- p. 35
- p. 36
- p. 37
- p. 38
- p. 39
- p. 40
- p. 41
- p. 42
- p. 43
- p. 44
- p. 45
- p. 46
- p. 47
- p. 48
- p. 49
- p. 50
- p. 51
- p. 52
- p. 53
- p. 54
- p. 55
- p. 56
- p. 57
- p. 58
- p. 59
- p. 60
- p. 61
- p. 62
- p. 63
- p. 64
- p. 65
- p. 66
- p. 67
- p. 68
- p. 69
- p. 70
- p. 71
- p. 72
- p. 73
- p. 74
- p. 75
- p. 76
- p. 77
- p. 78
- p. 79
- p. 80
- p. 81
- p. 82
- p. 83
- p. 84
- p. 85
- p. 86
- p. 87
- p. 88
- p. 89
- p. 90
- p. 91
- p. 92
- p. 93
- p. 94
- p. 95
- p. 96
- p. 97
- p. 98
- p. 99
- p. 100
- p. 101
- p. 102
- p. 103
- p. 104
- p. 105
- p. 106
- p. 107
- p. 108
- p. 109
- p. 110
- p. 111
- p. 112
- p. 113
- p. 114
- p. 115
- p. 116
- p. 117
- p. 118
- p. 119
- p. 120
- p. 121
- p. 122
- p. 123
- p. 124
- p. 125
- p. 126
- p. 127
- p. 128
- p. 129
- p. 130
- p. 131
- p. 132
- p. 133
- p. 134
- p. 135
- p. 136
- p. 137
- p. 138
- p. 139
- p. 140
- p. 141
- p. 142
- p. 143
- p. 144
- p. 145
- p. 146
- p. 147
- p. 148
- p. 149
- p. 150
- p. 151
- p. 152
- p. 153
- p. 154
- p. 155
- p. 156
- p. 157
- p. 158
- p. 159
- p. 160
- p. 161
- p. 162
- p. 163
- p. 164
- p. 165
- p. 166
- p. 167
- p. 168
- p. 169
- p. 170
- p. 171
- p. 172
- p. 173
- p. 174
- p. 175
- p. 176
- p. 177
- p. 178
- p. 179
- p. 180
- p. 181
- p. 182
- p. 183
- p. 184
- p. 185
- p. 186
- p. 187
- p. 188
- p. 189
- p. 190
- p. 191
- p. 192
- p. 193
- p. 194
- p. 195
- p. 196
- p. 197
- p. 198
- p. 199
- p. 200
- p. 201
- p. 202
- p. 203
- p. 204
- p. 205
- p. 206
- p. 207
- p. 208
- p. 209
- p. 210
- p. 211
- p. 212
- p. 213
- p. 214
- p. 215
- p. 216
- p. 217
- p. 218
- p. 219
- p. 220
- p. 221
- p. 222
- p. 223
- p. 225
- p. 226
- p. 227
- p. 228
- p. 229
- p. 230
- p. 231
- p. 232
- p. 233
- p. 234
- p. 235
- p. 236
- p. 237
- p. 238
- p. 239
- p. 240
- p. 241
- p. 242
- p. 243
- p. 244
- p. 245
- p. 246
- p. 247
- p. 248
- p. 249
- p. 250
- p. 251
- p. 253
- p. 255
- p. 256
- p. 257
- p. 258
How to Listen
- 1. Click "Listen Free" above
- 2. The book opens in CastReader's browser reader
- 3. Click the play button — AI narration starts with word highlighting
- 4. Use "Send to Phone" to continue listening on your phone
More by Thomas Hardy
You Might Also Like
FAQ
Is this audiobook really free?
Yes. "Moments of Vision and Miscellaneous Verses" is a public domain work from Project Gutenberg. CastReader converts it to audio using AI text-to-speech for free. No account or payment needed.
What does the AI voice sound like?
CastReader uses Kokoro TTS, a natural-sounding AI voice. It handles punctuation, names, and dialogue naturally. Most listeners forget it's AI after a few minutes.
Can I listen on my phone?
Yes. Open the book, then use "Send to Phone" to stream audio to your phone via Telegram. No app download needed.