The Waste Land cover

The Waste Land

by T. S. Eliot

PoetryClassicsFictionLiterature20th Century
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About This Book

A groundbreaking new biography of one of the twentieth century's most important poetsOn the fiftieth anniversary of the death of T. S. Eliot, the award-winning biographer Robert Crawford presents us with the first volume of a comprehensive account of this poetic genius. Young Eliot traces the life of the twentieth century's most important poet from his childhood in St. Louis to the publication of his revolutionary poem The Waste Land . Crawford provides readers with a new understanding of the foundations of some of the most widely read poems in the English language through his depiction of Eliot's childhood―laced with tragedy and shaped by an idealistic, bookish family in which knowledge of saints and martyrs was taken for granted―as well as through his exploration of Eliot's marriage to Vivien Haigh-Wood, a woman who believed she loved Eliot "in a way that destroys us both."Quoting extensively from Eliot's poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, Crawford shows how the poet's background in Missouri, Massachusetts, and Paris made him a lightning rod for modernity. Most impressively, Young Eliot reveals the way he accessed his inner life―his anguishes and his fears―and blended them with his omnivorous reading to create his masterpieces "The Love Song of J. Alfred Prufrock" and The Waste Land . At last, we experience T. S. Eliot in all his tender complexity as student and lover, penitent and provocateur, banker and philosopher―but most of all, Young Eliot shows us as an epoch-shaping poet struggling to make art among personal disasters.

7

Chapters

~84 min

Est. Listening Time

English

Language

4.1

Goodreads Rating

The Waste Land

By T. S. Eliot

Contents

“Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Σίβυλλα τί θέλεις; respondebat illa: ἀποθανεῖν θέλω.”

For Ezra Pound il miglior fabbro

I. THE BURIAL OF THE DEAD

II. A GAME OF CHESS

III. THE FIRE SERMON

IV. DEATH BY WATER

V. WHAT THE THUNDER SAID

NOTES ON “THE WASTE LAND”

Not only the title, but the plan and a good deal of the incidental symbolism of the poem were suggested by Miss Jessie L. Weston’s book on the Grail legend: From Ritual to Romance (Macmillan, Cambridge) Indeed, so deeply am I indebted, Miss Weston’s book will elucidate the difficulties of the poem much better than my notes can do; and I recommend it (apart from the great interest of the book itself) to any who think such elucidation of the poem worth the trouble. To another work of anthropology I am indebted in general, one which has influenced our generation profoundly; I mean The Golden Bough; I have used especially the two volumes Adonis, Attis, Osiris. Anyone who is acquainted with these works will immediately recognise in the poem certain references to vegetation ceremonies.

I. THE BURIAL OF THE DEAD

Line 20. Cf. Ezekiel 2:1.

23. Cf. Ecclesiastes 12:5.

31. V. Tristan und Isolde, i, verses 5-8.

42. Id. iii, verse 24.

46. I am not familiar with the exact constitution of the Tarot pack of cards, from which I have obviously departed to suit my own convenience. The Hanged Man, a member of the traditional pack, fits my purpose in two ways: because he is associated in my mind with the Hanged God of Frazer, and because I associate him with the hooded figure in the passage of the disciples to Emmaus in Part V. The Phoenician Sailor and the Merchant appear later; also the “crowds of people,” and Death by Water is executed in Part IV. The Man with Three Staves (an authentic member of the Tarot pack) I associate, quite arbitrarily, with the Fisher King himself.

60. Cf. Baudelaire:

“Fourmillante cité, cité; pleine de rêves, Où le spectre en plein jour raccroche le passant.”

63. Cf. Inferno, iii. 55-7.

“si lunga tratta di gente, ch’io non avrei mai creduto che morte tanta n’avesse disfatta.”

64. Cf. Inferno, iv. 25-7:

“Quivi, secondo che per ascoltare, “non avea pianto, ma’ che di sospiri, “che l’aura eterna facevan tremare.”

68. A phenomenon which I have often noticed.

74. Cf. the Dirge in Webster’s White Devil.

76. V. Baudelaire, Preface to Fleurs du Mal.

II. A GAME OF CHESS

77. Cf. Antony and Cleopatra, II. ii., l. 190.

92. Laquearia. V. Aeneid, I. 726:

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"The Waste Land" was written by T. S. Eliot. It is classified as Poetry, Fiction, Essays, Classic Literature, 20th Century Literature.

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