The Three Sisters cover

The Three Sisters

by May Sinclair

LiteratureClassicsFictionBritish Literature20th CenturyFeminismHistorical Fiction
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About This Book

Author, poet, critic, and suffragist Mary Amelia St. Clair was a contemporary of and acquainted with Henry James, Thomas Hardy, Ford Madox Ford, T.S. Eliot, Ezra Pound, and Rebecca West, among others. She served as an ambulance driver in World War I, and produced poetry and fiction based on it. Her novel "Mr. Waddington of Wyk" was a social comedy. "The Three Sisters" is a study in female frustration, as the three sisters of the title try to come to terms with an isolated existence in a remote spot on the moors. It's Sinclair's first psychological novel, drawing upon her interest in the work of Sigmund Freud. It an early example of the transition from classic realism to modernism, Influenced by Imagism, and structured around epiphanies, images and symbols. It's also considered a precursor to her later novels "Mary Oliver" and "Harriet Frean," using knowledge of psychoanalysis and acknowledging the importance of the character's internal reality.

71

Chapters

~852 min

Est. Listening Time

English

Language

3.7

Goodreads Rating

THE THREE SISTERS

BY

MAY SINCLAIR

1914

THE THREE SISTERS

North of east, in the bottom, where the road drops from the High Moor, is the village of Garth in Garthdale.

It crouches there with a crook of the dale behind and before it, between half-shut doors of the west and south. Under the mystery and terror of its solitude it crouches, like a beaten thing, cowering from its topmost roof to the bowed back of its stone bridge.

It is the last village up Garthdale; a handful of gray houses, old and small and humble. The high road casts them off and they turn their backs to it in their fear and huddle together, humbly, down by the beck. Their stone roofs and walls are naked and blackened by wind and rain as if fire had passed over them.

They have the silence, the darkness and the secrecy of all ultimate habitations.

North, where the high road begins to rise again, the Vicarage stands all alone. It turns its face toward the village, old and gray and humble as any house there, and looks on the road sideways, through the small shy window of its gable end. It has a strip of garden in front and on its farther side and a strip of orchard at the back. The garden slopes down to the churchyard, and a lane, leading to the pastures, runs between.

And all these things of stone, the village, the Vicarage, the church, the churchyard and the gravestones of the dead are alike naked and black, blackened as if fire had passed over them. And in their grayness and their desolation they are one with each other and with the network of low walls that links them to the last solitary farm on the High Moor. And on the breast of the earth they show, one moment, solid as if hewn out of her heart, and another, slender and wind-blown as a tangle of gray thread on her green gown.

II

Through four of its five front windows the house gave back darkness to the dark. One, on the ground floor, showed a golden oblong, skirted with watery gray where the lamp-light thinned the solid blackness of the wall.

The three sisters, Mary, Gwendolen and Alice, daughters of James Cartaret, the Vicar of Garth, were sitting there in the dining-room behind the yellow blind, doing nothing. In their supine, motionless attitudes they seemed to be waiting for something to happen, to happen so soon that, if there had been anything to do, it was not worth their while doing it.

All three were alike in the small, broad faces that brooded, half sullen and half sad; in the wide eyes that watched vaguely; in the little tender noses, and in the mouths, tender and sullen, too; in the arch and sweep of the upper lips, the delicate fulness of the lower; in the way of the thick hair, parted and turned back over the brows in two wide and shallow waves.

Mary, the eldest, sat in a low chair by the fireside. Her hands were clasped loosely on the black woolen socks she had ceased to darn.

She was staring into the fire with her gray eyes, the thick gray eyes that never let you know what she was thinking. The firelight woke the flame in her reddish-tawny hair. The red of her lips was turned back and crushed against the white. Mary was shorter than her sisters, but she was the one that had the color. And with it she had a stillness that was not theirs. Mary's face brooded more deeply than their faces, but it was untroubled in its brooding.

She had learned to darn socks for her own amusement on her eleventh birthday, and she was twenty-seven now.

Alice, the youngest girl (she was twenty-three) lay stretched out on the sofa.

She departed in no way from her sister's type but that her body was slender and small boned, that her face was lightly finished, that her gray eyes were clear and her lips pale against the honey-white of her face, and that her hair was colorless as dust except where the edge of the wave showed a dull gold.

Alice had spent the whole evening lying on the sofa. And now she raised her arms and bent them, pressing the backs of her hands against her eyes. And now she lowered them and lifted one sleeve of her thin blouse, and turned up the milk-white under surface of her arm and lay staring at it and feeling its smooth texture with her fingers.

Gwendolen, the second sister, sat leaning over the table with her arms flung out on it as they had tossed from her the book she had been reading.

She was the tallest and the darkest of the three. Her face followed the type obscurely; and vividly and emphatically it left it. There was dusk in her honey-whiteness, and dark blue in the gray of her eyes. The bridge of her nose and the arch of her upper lip were higher, lifted as it were in a decided and defiant manner of their own. About Gwenda there was something alert and impatient. Her very supineness was alive. It had distinction, the savage grace of a creature utterly abandoned to a sane fatigue.

Gwenda had gone fifteen miles over the moors that evening. She had run and walked and run again in the riotous energy of her youth.

Now she was too tired to read.

Gwenda was the first to speak.

"Is it ten yet?"

"No." Mary smiled, but the word shuddered in her throat like a weary moan.

"How long?"

"Forty-three minutes."

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"The Three Sisters" was written by May Sinclair. It is classified as Essays, Fiction, Historical Fiction, Classic Literature, British Literature, 20th Century Literature.

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