Cæsar or Nothing cover

Cæsar or Nothing

by Pío Baroja

Spanish Literature
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About This Book

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2022 with the help of original edition published long back [1923]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 344. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete Caesar or nothing, by Pío Baroja; tr. from the Spanish by Louis How. 1923 Baroja, Pío, -.

76

Chapters

~912 min

Est. Listening Time

English

Language

3.8

Goodreads Rating

CÆSAR OR NOTHING

By Pío Baroja

Translated from the Spanish by Louis How

CONTENTS

PROLOGUE

PART ONE. ROME

I. THE PARIS-VENTIMIGLIA EXPRESS

II. AN EXTRAORDINARY FAMILY

III. CÆSAR MONCADA

IV. PEOPLE WHO PASS CLOSE BY

V. THE ABBE PRECIOZI. THE BIG BIRDS IN ROME

VI. THE LITTLE INTERESTS OF THE PEOPLE IN A ROMAN HOTEL

VII. THE CONFIDENCES OF THE ABBE PRECIOZI

VIII. OLD PALACES, OLD SALONS, OLD LADIES

IX. NEW ACQUAINTANCES

X. A BALL

XI. A SOUNDING-LINE IN THE DARK WORLD

XII. A MEETING ON THE PINCIO

XIII. ESTHETICS AND DEMAGOGY

XIV. NEW ATTEMPTS, NEW RAMBLES

XV. GIOVANNI BATTISTA, PAGAN

XVI. THE PORTRAIT OF A POPE

XVII. EVIL DAYS

XVIII. CÆSAR BORGIA’S MOTTO, “AUT CÆSAR, AUT NIHIL”

XIX. CÆSAR’S REFLECTIONS

XX. DON CALIXTO AT SAINT PETER’S

XXI. DON CALIXTO IN THE CATACOMBS

XXII. SENTIMENTALITY AND ARCHEOLOGY

XXIII. THE ‘SCUTCHEON OF A CHURCH

XXIV. TOURIST INTERLUDE

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