GOOD LUCK

BY

MRS. L. T. MEADE

Author of Polly, A Sweet Girl Graduate, Etc.

M. A. DONOHUE & COMPANY CHICAGO —————— NEW YORK 1896

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV THE FLOWERS' WORK

GOOD LUCK

CHAPTER I.

Amongst the crowd of people who were waiting in the Out-Patients' Department of the London Hospital on a certain foggy day toward the latter end of November might have been seen an old cherry-cheeked woman. She had bright blue eyes and firm, kindly lips. She was a little woman, slightly made, and her whole dress and appearance were somewhat old-fashioned. In the first place, she was wonderfully pretty. Her little face looked something like a russet apple, so clear was her complexion and so bright and true the light in her eyes. Her hair was snow-white, and rather fluffy in texture; it surrounded her forehead like a silver halo, adding to the picturesque effect of apple cheeks and deep blue eyes. Her attire was quaint and old-fashioned. She wore a neat black dress, made without the least attempt at ornament; round her neck was a snowy kerchief of somewhat coarse but perfectly clean muslin; over her shoulders a little black shawl was folded corner-ways, and pinned neatly with a large black-headed pin at her breast. A peep of the snowy handkerchief showed above the shawl; the handkerchief vied with the white of her hair. On her head was a drawn black silk bonnet with a tiny border of white net inside. Her hands were clothed in white cotton gloves. She stood on the borders of the crowd, one of them, and yet apart from them, noticeable to everyone present by her pretty, dainty neatness, and by the look of health which to all appearance she possessed. This had evidently been her first visit to the Out-Patients' Department. Some habitués of the place turned and stared at her, and one or two women who stood near—burdened, pallid, ill-looking women—gave her a quick glance of envy, and asked her with a certain show of curiosity what ailed her.

"It's my hand, dear," was the reply. "It pains awful—right up to the shoulder."

"It's rheumatis you've got, you poor thing," said one of the women who had addressed her.

"No, I don't think it's exactly that," was the reply; "but the doctor 'll tell. I can't hold my needle with the pain; it keeps me awake o' nights. Oh, we must all have our share," she added cheerfully; "but ef it were the will of the Almighty, I'd rayther not have my share o' pain in my right hand."

"You does needlework fer a living, I suppose?" said a man who stood near.

"Yes. I only 'opes to the Lord that my working hand isn't going to be taken from me—but there, I'll soon know."

She smiled brightly at these words, and addressed one of her neighbors with regard to the state of that neighbor's baby—the child was evidently suffering from ophthalmia, and could scarcely open its eyes.

It was cold in the out-patients' waiting-room, and the crowd became impatient and anxious, each for his or her turn to see the doctors who were in attendance. At last the little woman with the white hair was admitted to the consulting-room. She was shown in by a dresser, and found herself face to face with the doctor. He said a few words to her, asked her some questions with regard to her symptoms, looked at the hand, touched the thumb and forefinger, examined the palm of the hand very carefully, and then pronounced his brief verdict.

"You are suffering from what is equivalent to writers' cramp, my good woman," he said.

"Lor', sir," she interrupted, "I respec'fully think you must be mistook. I never take a pen in my 'and oftener nor twice a year. I aint a schollard, sir."

"That don't matter," was the reply; "you use your needle a good deal."

"Of course, and why shouldn't I?"

"How many hours a day do you work?"

"I never count the hours, sir. I work all the time that I've got. The more I work, the more money there be, you understand."

"Yes, I quite understand. Well, you must knock it off. Here! I shall order you a certain liniment, which must be rubbed into the hand two or three times a day."

"But what do you mean by knocking it off, sir?"

"What I say—you must stop needlework. Johnson," continued Dr. Graves, raising his eyes and looking at the dresser, "send in another patient." He rose as he spoke.

"I am sorry for you, my poor woman," he said, "but that hand is practically useless. At your age, there is not the most remote chance of recovery. The hand will be powerless in a few months' time, whatever you do; but if you spare it—in short, give it complete rest—it may last a little longer."

"And do you mean, sir, that I'm never to do sewing again?"

"I should recommend you to knock it off completely and at once; by so doing you will probably save yourself a good deal of suffering, and the disease may not progress so rapidly—in any case, the power to sew will soon leave you. Use the liniment by all means, take care of your health, be cheerful. Good-morning."

The doctor accompanied the little woman to the door of the consulting-room; he opened the door for her, and bowed as she passed out. He treated her almost as if she were a lady, which in very truth she was in every sense of the word. But she did not notice his politeness, for his words had stunned her. She walked slowly, with a dazed look in her eyes, through the crowd of people who were waiting to be admitted to the different physicians, and found herself in the open street. Her name was Patience Reed, she was sixty-eight years of age, and was the grandmother of six orphan children.

"Good Lord, what do it mean?" she murmured as she walked quickly through the sloppy, dark, disagreeable streets. "I'm to lose the power of this 'and, and I'm not to do any more needlework. I don't believe it's true. I don't believe that doctor. I'll say nothing to Alison to-day. Good Lord, I don't believe for a moment you'd afflict me in this awful sort of way!"