Aurora Floyd, Vol. 1 / Fifth Edition cover

Aurora Floyd, Vol. 1 / Fifth Edition

by M. E. Braddon

CollectionsFictionClassics
Listen Free

Free AI audiobook with natural voice. No signup required.

About This Book

e-artnow presents to you this meticulously edited Mary Elizabeth Braddon collection: Novels: The Trail of the Serpent Lady Audley's Secret Aurora Floyd The Captain of the Vulture John Marchmont's Legacy Eleanor's Victory Henry Dunbar The Doctor's Wife Birds of Prey Charlotte's Inheritance Run to Earth Fenton's Quest The Lovels of Arden A Strange World The Cloven Foot Vixen Mount Royal Phantom Fortune The Golden Calf Wyllard's Weird Mohawks All Along the River Gerard (The World, the Flesh, and the Devil) London Pride His Darling Sin The Infidel Beyond These Voices Short Stories: Ralph the Bailiff and Other Stories: Ralph the Bailiff Captain Thomas The Cold Embrace My Daughters The Mystery of Fernwood Samuel Lowgood's Revenge The Lawyer's Secret My First Happy Christmas Lost and Found Eveline's Visitant – A Ghost Story Found in the Muniment Chest How I Heard my Own Will Read Flower and Weed and Other Tales: Flower and Weed George Caulfield's Journey The Clown's Quest Dr. Carrick If She Be Not Fair to Me The Shadow in the Corner His Secret Thou Art the Man Milly Darrell Good Lady Ducayne At Chrighton Abbey Children's Book: The Christmas Hirelings My First Novel by M. E. Braddon

19

Chapters

~228 min

Est. Listening Time

English

Language

4.2

Goodreads Rating

The Project Gutenberg eBook, Aurora Floyd, Vol. I (of 3), by M. E. (Mary Elizabeth) Braddon

AURORA FLOYD.

BY

M. E. BRADDON,

AUTHOR OF "LADY AUDLEY'S SECRET."

IN THREE VOLUMES.

VOL. I.

FIFTH EDITION.
LONDON:
TINSLEY BROTHERS, 18 CATHERINE STEEET,
STRAND.
1863.

Dedicated

TO

ADMIRAL AND MRS. BASDEN,

WITH THE
AFFECTIONATE REGARDS
OF
THE AUTHOR.
CONTENTS.
CHAPTER I.

HOW A RICH BANKER MARRIED AN ACTRESS.

Faint streaks of crimson glimmer here and there amidst the rich darkness of the Kentish woods. Autumn's red finger has been lightly laid upon the foliage—sparingly, as the artist puts the brighter tints into his picture: but the grandeur of an August sunset blazes upon the peaceful landscape, and lights all into glory.

The encircling woods and wide lawn-like meadows, the still ponds of limpid water, the trim hedges, and the smooth winding roads; undulating hill-tops, melting into the purple distance; labouring men's cottages gleaming white from the surrounding foliage; solitary roadside inns with brown thatched roofs and moss-grown stacks of lop-sided chimneys; noble mansions hiding behind ancestral oaks; tiny Gothic edifices; Swiss and rustic lodges; pillared gates surmounted by escutcheons hewn in stone, and festooned with green wreaths of clustering ivy; village churches and prim school-houses: every object in the fair English prospect is steeped in a luminous haze, as the twilight shadows steal slowly upward from the dim recesses of shady woodland and winding lane, and every outline of the landscape darkens against the deepening crimson of the sky.

Upon the broad façade of a mighty red-brick mansion, built in the favourite style of the early Georgian era, the sinking sun lingers long, making gorgeous illumination. The long rows of narrow windows are all a-flame with the red light, and an honest homeward-tramping villager pauses once or twice in the roadway to glance across the smooth width of dewy lawn and tranquil lake, half fearful that there must be something more than natural in the glitter of those windows, and that maybe Maister Floyd's house is a-fire.

The stately red-brick mansion belongs to Maister Floyd, as he is called in the honest patois of the Kentish rustics; to Archibald Martin Floyd, of the great banking-house of Floyd, Floyd, and Floyd, Lombard Street, City.

The Kentish rustics know very little of this City banking-house, for Archibald Martin, the senior partner, has long retired from any active share in the business, which is carried on entirely by his nephews, Andrew and Alexander Floyd, both steady, middle-aged men, with families and country houses; both owing their fortune to the rich uncle, who had found places in his counting-house for them some thirty years before, when they were tall, raw-boned, sandy-haired, red-complexioned Scottish youths, fresh from some unpronounceable village north of Aberdeen.

The young gentlemen signed their names McFloyd when they first entered their uncle's counting-house; but they very soon followed that wise relative's example, and dropped the formidable prefix. "We've nae need to tell these sootherran bodies that we're Scotche," Alick remarked to his brother, as he wrote his name for the first time A. Floyd, all short.

The Scottish banking-house had thriven wonderfully in the hospitable English capital. Unprecedented success had waited upon every enterprise undertaken by the old-established and respected firm of Floyd, Floyd, and Floyd. It had been Floyd, Floyd, and Floyd for upwards of a century; for as one member of the house dropped off some greener branch shot out from the old tree; and there had never yet been any need to alter the treble repetition of the well-known name upon the brass plates that adorned the swinging mahogany doors of the banking-house. To this brass plate Archibald Martin Floyd pointed when, some thirty years before the August evening of which I write, he took his raw-boned nephews for the first time across the threshold of his house of business.

"See there, boys," he said; "look at the three names upon that brass plate. Your uncle George is over fifty, and a bachelor,—that's the first name; our first cousin, Stephen Floyd, of Calcutta, is going to sell out of the business before long,—that's the second name; the third is mine, and I'm thirty-seven years of age, remember, boys, and not likely to make a fool of myself by marrying. Your names will be wanted by-and-by to fill the blanks; see that you keep them bright in the mean time; for let so much as one speck rest upon them, and they'll never be fit for that brass plate."

Continue reading or listen to the full book Open in Reader →

How to Listen

  1. 1. Click "Listen Free" above
  2. 2. The book opens in CastReader's browser reader
  3. 3. Click the play button — AI narration starts with word highlighting
  4. 4. Use "Send to Phone" to continue listening on your phone

Frequently Asked Questions about “Aurora Floyd, Vol. 1 / Fifth Edition

Is "Aurora Floyd, Vol. 1 / Fifth Edition" free to read and listen to?

Yes. "Aurora Floyd, Vol. 1 / Fifth Edition" is a public domain work from Project Gutenberg. CastReader converts it to audio using AI text-to-speech — completely free, no account or payment needed.

Who wrote "Aurora Floyd, Vol. 1 / Fifth Edition"?

"Aurora Floyd, Vol. 1 / Fifth Edition" was written by M. E. Braddon. It is classified as Essays, Fiction, Horror & Gothic, Mystery & Detective, Classic Literature.

How long does it take to listen to "Aurora Floyd, Vol. 1 / Fifth Edition"?

"Aurora Floyd, Vol. 1 / Fifth Edition" has 19 chapters. Estimated listening time is approximately 228 minutes with CastReader's AI narration.

Can I listen to "Aurora Floyd, Vol. 1 / Fifth Edition" on my phone?

Yes. Open the book in CastReader's browser reader, then use "Send to Phone" to stream audio to your phone via Telegram. No app download needed.

What voice is used for the "Aurora Floyd, Vol. 1 / Fifth Edition" audiobook?

CastReader uses Kokoro TTS, a natural-sounding AI voice. It handles punctuation, names, and dialogue naturally. Most listeners forget it's AI after a few minutes.

Is there a human-narrated audiobook of "Aurora Floyd, Vol. 1 / Fifth Edition"?

"Aurora Floyd, Vol. 1 / Fifth Edition" is in the public domain, so human-narrated versions may exist on LibriVox or Audible. CastReader's AI narration is instant and free — no waiting or subscription required.

Read & Listen to Aurora Floyd, Vol. 1 / Fifth Edition by M. E. Braddon — Free Online Book + AI Audiobook | CastReader